Medieval and Renaissance Music : : A Performer's Guide / / Timothy J. McGee.

Over the past twenty-five years Europe and North America have witnessed an enormous revival of interest in early music. Since the late 1950s numerous professional and amateur ensembles have delighted audiences with the vocal and instrumental music of the twelffth to the sixteenth centuries, while sc...

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Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999
VerfasserIn:
Place / Publishing House:Toronto : : University of Toronto Press, , [2019]
©1985
Year of Publication:2019
Language:English
Series:Heritage
Online Access:
Physical Description:1 online resource (304 p.)
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100 1 |a McGee, Timothy J.,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Medieval and Renaissance Music :  |b A Performer's Guide /  |c Timothy J. McGee. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2019] 
264 4 |c ©1985 
300 |a 1 online resource (304 p.) 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t ILLUSTRATIONS --   |t MUSICAL EXAMPLES --   |t TABLES AND CHART --   |t PREFACE --   |t ACKNOWLEDGMENTS --   |t PART ONE. The Materials --   |t PART TWO. The Repertory --   |t PART THREE. Techniques --   |t PART FOUR. Practical Considerations --   |t NOTES --   |t BIBLIOGRAPHY --   |t INDEX 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Over the past twenty-five years Europe and North America have witnessed an enormous revival of interest in early music. Since the late 1950s numerous professional and amateur ensembles have delighted audiences with the vocal and instrumental music of the twelffth to the sixteenth centuries, while scholars have addressed themselves to the many problems involved in its authentic re-creation. This book unites the two fields; it is both a summary of the most recent scholarly investigations into the subject and a practical guide to the performance of early music based on the experience of the author and others who have performed a sizable portion of the early repertory. McGee lays out clearly the foundation and background of each of the performance problems, presenting the most recent research and pointing out areas of incomplete knowledge and controversy, and then introduces practical solutions based on the scholarship.All the topics necessary for a historical performance of early music are discussed: tempo, rhythmic flow, instrumentation, ornamentation, articulation, improvisation, style, and singing technique, along with some practical hints for selecting a program and shoosing substitute instruments. The final chapters is a reference guide to modern editions of the music and an introduction to the scholarly literature on early music performances.At the time of publication, this book was the first to address the problem of how to perform medieval and Renaissance music. It is intended for both the amateur performing musician and the serious student. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a Music  |x Interpretation (Phrasing, dynamics, etc.). 
650 0 |a Music  |x Performance. 
650 0 |a Music  |y 15th century  |x History and criticism. 
650 0 |a Music  |y 16th century  |x History and criticism. 
650 0 |a Music  |y 500-1400  |x History and criticism. 
650 7 |a HISTORY / Renaissance.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of Toronto Press eBook-Package Archive 1933-1999  |z 9783110490947 
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