Derniers Vers / / Jules Laforgue; ed. by Michael Collie, J.M. L'Heureux.

• Superior document: Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999
• VerfasserIn: Laforgue, Jules,
• HerausgeberIn: Collie, Michael,; L'Heureux, J.M.,
• TeilnehmendeR: Collie, Michael.; L'Heureux, J.M.
• Place / Publishing House: Toronto : : University of Toronto Press, , [2020]; ©1965
• Year of Publication: 2020
• Language: English
• Series: Heritage
• Physical Description: 1 online resource (120 p.)
• Other title: Frontmatter --; ACKNOWLEDGMENTS --; CONTENTS --; INTRODUCTION --; DERNIER VERS --; I. L’Hiver qui Vient --; II. Le Mystère des trois cors --; III. Dimanches --; IV. Dimanches --; V. Pétition --; VI. Simple Agonie --; VII. Solo de Lune --; VIII. Légende --; IX. « Oh ! qu’une, d'Elle-même ... » --; X. « O géraniums diaphanes ... » --; XI. Sur une Défunte --; XII. « Noire bise, averse glapissante » --; ABBREVIATIONS --; GENERAL TEXTUAL NOTE --; DETAILED TEXTUAL NOTES AND VARIANTS --; CRITICAL NOTES --; SELECT BIBLIOGRAPHY
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781487576431; 9783110490947
• DOI: 10.3138/9781487576431
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Jules Laforgue; ed. by Michael Collie, J.M. L'Heureux.

This edition of Laforgue's Dernier Vers stems from the editors' critical interest in the poems themselves and from their feeling that Laforgue has not been well represented by anthologies and selections, which have usually placed a wrong emphasis on his earlier, more blatantly decadent work. The twelve poems making up the Derniers Vers, written in 1886, the year before Laforgue's death, were previously thought to be a disconnected series. The editors show that they are, rather, a carefully planned and developed sequence, representing the successful resolution of artistic problems which had occupied the poet during the previous five or six years. To Laforgue, poetry as art, not communication, and throughout his life he had tried to discover a way of writing a poem the impact and character of which would be analogous to painting and music. This edition, prepared for English-speaking readers, will be particularly interest because of the important influence of the poems on Exra Pound, who called Laforgue "the most sophisticated of all French poets," and on T.S. Eliot, who acknowledged that the poetry he wrote in 1908 and 1909 "was directly drawn from a study of Laforgue," "if not quite the greatest French poet after Baudelaire . certainly the most important technical innovator." The editors have drawn on previously unused manuscripts and papers for their informative and illuminating notes. They have also provided an Introduction which places Laforgue in historical and artistic perspective, and sheds interesting light on those aspects of his personal life which are reflected in his writing.