The Structure of Aesthetics / / F.E. Sparshott.

• Superior document: Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999
• VerfasserIn: Sparshott, F.E.,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2019]; ©1963
• Year of Publication: 2019
• Language: English
• Series: Heritage
• Physical Description: 1 online resource (486 p.)

Aesthetics is variously identified with the philosophy of art, the philosophy of criticism, and the philosophy of beauty. The resulting confusing has meant that the condition of this branch (or branches) of philosophy has been a standing scandal; so much so that many philosopher have supposed the subject be inherently recalcitrant or in some way spurious. This book seeks to remey this situation by reducing the subject to order. It offers answers to the following questions: (1) What are the problems with which aesthetics deals? (2) What kinds of answers have been proposed or may be proposed to these questions? (3) How are these problems related to one another? (4) Are the relations between the problems such that awesthetics can form a single unified field of study? (5) In what circumstances and to what extent will aesthetics seem a branch of philosophy worthy of systematic study? Professor Sparshott's book thus places the study of aesthetics on a new footing, since it becomes for the first time possible to grasp the scope of the subject as a whole. Hitherto, no one has tried to introduce order into the subject by any other means than marking off and systimatically cultivating a small corner of the field. Now for the firs ttime the mutual bearings of these local clearings are mapped. This book is accordingly meant for all those who are seriously interested in the philosophy of art, or of criticism, or of beauty: for all those, that is, who are prepared to raise the far-reaching problems with which it deals. The author will not be dismayed if it encourages other syntheses! This book also makes incidental suggestions toward the solution of some of the problems which it organizes, and is illustrated by reference to a wide range of aesthetic literature, from Aristotle to Ziff.

Table of Contents

Frontmatter -- PREFACE -- CONTENTS -- I. AESTHETICS: WHAT AND WHY? -- II. THE APPROACHES TO AESTHETICS -- III. "BEAUTY": THE TERM AND ITS RELATIONS -- IV. ART AND NATURE -- V. ART: THE CONCEPT AND ITS VALIDITY -- VI. ART: GRADES AND KINDS -- VII. ART: MODES AND GENRES -- VIII. HAS ART A FUNCTION? -- IX. ART AND THE INDIVIDUAL -- X. ART AND SOCIETY -- XI. THE ANALYSIS OF ART -- XII. SURFACE AND FORM -- XIII. FORM AND CONTENT -- XIV. REFERENCE -- XV. REFERENTS -- XVI. EXPRESSION -- XVII. CONCLUSION -- WORKS CITED -- INDEX