Identity of the Literary Text / / Mario Valdes, Owen Miller.
Literary criticism today is dominated by the debate about whether texts have a fixed identity with established meaning or a variable identity with changing meaning. The very nature of what the critic does and what he can provide for his readers is being questioned; the challenge to the traditional v...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2019] ©1985 |
Year of Publication: | 2019 |
Language: | English |
Series: | Heritage
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Physical Description: | 1 online resource (352 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Preface
- INTRODUCTION
- Introduction: The Identity of the Literary Text
- PART ONE. TEXTUALITY AND INTERTEXTUALITY
- Intertextual Identity
- Literary Identity and Contextual Difference
- The Making of the Text
- PART TWO. TEXTUAL DECONSTRUCTION
- Topography and Tropography in Thomas Hardy's In Front of the Landscape
- The (Self-) Identity of the Literary Text: Property, Propriety, Proper Place, and Proper Name in Wuthering Heights
- PART THREE. HERMENEUTICS
- The Faults of Vision: Identity and Poetry (A Dialogue of Voices, with an Essay on Kubla Khan)
- The Identity of the Poetic Text in the Changing Horizon of Understanding
- The Text as Dynamic Identity
- PART FOUR. ANALYTICAL CONSTRUCTION
- Literary Text, Its World and Its Style
- Feigning in Fiction
- PART FIVE. IDEOLOGICAL PERSPECTIVES
- The Stability of Literary Meaning
- The Politics of 'The Question of Style': Nietzsche/ Hö [l] derlin
- Textual Identity and Relationship: A Metacritical Excursion into History
- CONCLUSION
- References
- Index of Authors Cited