Women on War in Spain’s Long Nineteenth Century : : Virtue, Patriotism, Citizenship / / Christine Arkinstall.
The ways in which women have historically authorized themselves to write on war has blurred conventionally gendered lines, intertwining the personal with the political. Women on War in Spain’s Long Nineteenth Century explores, through feminist lenses, the cultural representations of late nineteenth-...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Toronto Iberic
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Physical Description: | 1 online resource (296 p.) :; 26 b&w illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgments
- Introduction. From behind the Lines to Writing War’s Texts: Redrawing the Boundaries of War and Gender
- Chapter One. Love of Nation and Women’s Citizenship in Rosario de Acuña’s Amor a la patria (1877)
- Chapter Two. Gender, Casticismo, and Imperial Nations in Spain’s fin de siècle: Blanca de los Ríos’s Sangre española (1899)
- Chapter Three. Charity, Patria, and Painting War’s Pain: Concepción Arenal’s Writings, 1869–79
- Chapter Four. The Monstrosity of War and Justpeace: Concepción Arenal’s Cuadros de la guerra and Ensayo sobre el Derecho de Gentes
- Chapter Five. Getting Intimate with Empire: Fin-de-siècle Women Writing a Psychology of the Disaster
- Chapter Six. Disordering the Imperial Home: Blanca de los Ríos’s La niña de Sanabria (1907)
- Chapter Seven. Purity of Blood in the National Family? Spain’s War in Morocco in Carmen de Burgos’s En la guerra (Episodios de Melilla) (1909)
- Chapter Eight. Between Feminist Aspirations and Pacifist Ideals: Burgos’s Essays on World War I and Women in War
- Chapter Nine. Denouncing War’s Broken Syntax: Burgos’s World War I Novellas
- Conclusion. Transforming Moral Maps, Then and Now
- Notes
- References
- Index