The Art of Witnessing : : Francisco de Goya’s ‹em›Disasters of War‹/em› / / Michael Iarocci.
Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya’s renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation. The Art of Witnessing...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
|---|---|
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2022] ©2022 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Toronto Iberic
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| Online Access: | |
| Physical Description: | 1 online resource (296 p.) :; 49 b&w illustrations |
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| LEADER | 05676nam a22008535i 4500 | ||
|---|---|---|---|
| 001 | 9781487543808 | ||
| 003 | DE-B1597 | ||
| 005 | 20230529101353.0 | ||
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| 020 | |a 9781487543808 | ||
| 024 | 7 | |a 10.3138/9781487543808 |2 doi | |
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| 082 | 0 | 4 | |a 769.92 |2 23 |
| 100 | 1 | |a Iarocci, Michael, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 4 | |a The Art of Witnessing : |b Francisco de Goya’s ‹em›Disasters of War‹/em› / |c Michael Iarocci. |
| 264 | 1 | |a Toronto : |b University of Toronto Press, |c [2022] | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (296 p.) : |b 49 b&w illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Toronto Iberic | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction: Viewing, Reading, Witnessing -- |t Beginnings -- |t Preface (1863): Image of an Artist -- |t 1 Tristes presentimientos de lo que ha de acontecer -- |t 2 Con razón o sin ella -- |t 3 Lo mismo -- |t 4 Las mujeres dan valor -- |t 5 Y son fieras -- |t 6 Bien te se está -- |t 7 Qué valor! -- |t 8 Siempre sucede -- |t 9 No quieren -- |t 10 Tampoco -- |t 11 Ni por ésas -- |t 12 Para eso habéis nacido -- |t 13 Amarga presencia -- |t 14 Duro es el paso! -- |t 15 Y no hay remedio -- |t 16 Se aprovechan -- |t 17 No se convienen -- |t 18 Enterrar y callar -- |t 19 Ya no hay tiempo -- |t 20 Curarlos y a otra -- |t 21 Será lo mismo -- |t 22 Tanto y más -- |t 23 Lo mismo en otras partes -- |t 24 Aún podrán servir -- |t 25 También éstos -- |t 26 No se puede mirar -- |t 27 Caridad -- |t 28 Populacho -- |t 29 Lo merecía -- |t 30 Estragos de la guerra -- |t 31 Fuerte cosa es! -- |t 32 Por qué? -- |t 33 Qué hay que hacer más? -- |t 34 Por una navaja -- |t 35 No se puede saber por qué -- |t 36 Tampoco -- |t 37 Esto es peor -- |t 38 Bárbaros! -- |t 39 Grande hazaña! Con muertos! -- |t 40 Algún partido saca -- |t 41 Escapan entre llamas -- |t 42 Todo va revuelto -- |t 43 También esto -- |t 44 Yo lo vi -- |t 45 Y esto también -- |t 46 Esto es malo -- |t 47 Así sucedió -- |t Afterword -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya’s renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation. The Art of Witnessing provides a new account of Goya’s print series by taking readers through the forty-seven prints he dedicated to the violence of war. Drawing on facets of Goya’s artistry rarely considered together before, the book challenges the notion that documentary realism and historical testimony were his primary aims. Michael Iarocci argues that while the depiction of war’s atrocities was central to Goya’s project, the lasting power of the print series stems from the artist’s complex moral and aesthetic meditations on the subject. Making novel contributions to longstanding debates about historical memory, testimony, and the representation of violence, The Art of Witnessing tells a new story, print by print, to highlight the ways in which Goya’s masterpiece extends far beyond conventional understandings of visual testimony. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) | |
| 650 | 0 | |a War in art. | |
| 650 | 7 | |a ART / History / Romanticism. |2 bisacsh | |
| 653 | |a Disasters of War. | ||
| 653 | |a Francisco Goya. | ||
| 653 | |a Napoleonic Era. | ||
| 653 | |a Peninsular War. | ||
| 653 | |a Spanish War of Independence. | ||
| 653 | |a Spanish art. | ||
| 653 | |a Spanish history. | ||
| 653 | |a ethics of representation. | ||
| 653 | |a satire. | ||
| 653 | |a violence and representation. | ||
| 653 | |a war art. | ||
| 653 | |a war testimony. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts 2022 |z 9783110992809 |o ZDB-23-DPK |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts, Architecture and Design 2022 English |z 9783110992816 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2022 English |z 9783110993899 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2022 |z 9783110994810 |o ZDB-23-DGG |
| 856 | 4 | 0 | |u https://doi.org/10.3138/9781487543808 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781487543808 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781487543808/original |
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