Fashioning Spanish Cinema : : Costume, Identity, and Stardom / / Jorge Pérez.

Costume design is a crucial, but frequently overlooked, aspect of film that fosters an appreciation of the diverse ways in which film and fashion enrich each other. These influential industries offer representations of ideas, values, and beliefs that shape and construct cultural identities. In Fashi...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021
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Place / Publishing House:Toronto : : University of Toronto Press, , [2021]
©2021
Year of Publication:2021
Language:English
Series:Toronto Iberic
Online Access:
Physical Description:1 online resource (280 p.) :; 19 b&w illustrations
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100 1 |a Pérez, Jorge,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Fashioning Spanish Cinema :  |b Costume, Identity, and Stardom /  |c Jorge Pérez. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2021] 
264 4 |c ©2021 
300 |a 1 online resource (280 p.) :  |b 19 b&w illustrations 
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505 0 0 |t Frontmatter --   |t Contents --   |t Illustrations --   |t Acknowledgments --   |t Introduction: Fashion, Costume, and Spanish Cinema --   |t Chapter One Fashioning National Stars: Balenciaga and Spanish Cinema --   |t Chapter Two Almodóvar and Chanel: High Fashion, Desire, and Identity --   |t Chapter Three Men in Underwear in Spanish Cinema --   |t Chapter Four Dressing the Immigrant Other --   |t Chapter Five Self-Fashioning Stardom: The Red Carpet Matters --   |t Conclusion Fashioning Identity and Stardom --   |t Notes --   |t Filmography --   |t Works Cited --   |t Index 
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520 |a Costume design is a crucial, but frequently overlooked, aspect of film that fosters an appreciation of the diverse ways in which film and fashion enrich each other. These influential industries offer representations of ideas, values, and beliefs that shape and construct cultural identities. In Fashioning Spanish Cinema, Jorge Pérez analyses the use of clothing and fashion as costumes within Spanish cinema, paying particular attention to the significance of those costumes in relation to the visual styles and the narratives of the films. The author examines the links between costume analysis and other fields and theoretical frameworks such as fashion studies, the history of dress, celebrity studies, and gender and feminist studies. Fashioning Spanish Cinema looks at instances in which costumes are essential to shaping the public image of stars, such as Conchita Montenegro, Sara Montiel, Victoria Abril, and Penélope Cruz. Focusing on examples in which costumes have discursive autonomy, it explores how costumes engage with broader issues of identity and, relatedly, how costumes impact everyday practices and fashion trends beyond cinema. Drawing on case studies from multiple periods, films by contemporary directors and genres, and red-carpet events such as the Oscars and Goya Awards, Fashioning Spanish Cinema contributes a pivotal Spanish perspective to expanding interdisciplinary work on the intersections between film and fashion. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Costume design  |z Spain. 
650 0 |a Fashion design  |z Spain. 
650 0 |a Motion pictures  |z Spain  |x History. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
653 |a Almodóvar. 
653 |a Balenciaga. 
653 |a Goya Awards. 
653 |a Oscars. 
653 |a Penélope Cruz. 
653 |a Spain. 
653 |a Spanish cinema. 
653 |a celebrity. 
653 |a costume design. 
653 |a fashion and film. 
653 |a fashion. 
653 |a gender. 
653 |a history of fashion. 
653 |a identity. 
653 |a immigration. 
653 |a red carpet. 
653 |a stardom. 
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