Conspiracy Culture : : Post-Soviet Paranoia and the Russian Imagination / / Keith A. Livers.

Contemporary Russia stands apart as one of the most prolific generators of conspiracy theories and paranoid rhetoric. Conspiracy Culture traces the roots of the phenomenon within the sphere of culture and history, examining the long arc of Russian paranoia from the present moment back to earlier nin...

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Superior document:Title is part of eBook package: De Gruyter ACUP Complete eBook-Package 2020
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Place / Publishing House:Toronto : : University of Toronto Press, , [2020]
©2020
Year of Publication:2020
Language:English
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Physical Description:1 online resource (320 p.)
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245 1 0 |a Conspiracy Culture :  |b Post-Soviet Paranoia and the Russian Imagination /  |c Keith A. Livers. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (320 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction: “The Anti-Russian Conspiracy” --   |t 1. From Vampire Capitalism to Enlightened Selfhood: Viktor Pelevin’s (Anti)-Conspiracy Novels --   |t 2. The Great Anti-Russian Plot: Aleksandr Prokhanov’s Conspiracy Novels of the 2000s --   |t 3. Timur Bekmambetov’s Night Watch and Day Watch: Russia’s Secret Others --   |t 4. From the “Dulles Plan” to Pussy Riot: Conspiracy Theories in Today’s Russia --   |t Conclusion: Mr. Putin and Comrade Trump --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Contemporary Russia stands apart as one of the most prolific generators of conspiracy theories and paranoid rhetoric. Conspiracy Culture traces the roots of the phenomenon within the sphere of culture and history, examining the long arc of Russian paranoia from the present moment back to earlier nineteenth-century sources, such as Dostoevsky’s anti-nihilist novel Demons. Conspiracy Culture examines the use of conspiracy tropes by contemporary Russian authors and filmmakers including the postmodernist writer Viktor Pelevin, the conservative author and pundit Aleksandr Prokhanov, and the popular director Timur Bekmambetov. It also explores paranoia as an instrument within contemporary Russian political rhetoric, as well as in pseudo-historical works. What stands out is the manner in which popular paranoia is utilized to express broadly shared fears not only of a long-standing anti-Russian conspiracy undertaken by the West, but also about the destruction of the country’s cultural and spiritual capital within this imagined "Russophobic" plot. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 0 |a Conspiracies in literature. 
650 0 |a Conspiracies in popular culture  |x History  |y 20th century. 
650 0 |a Conspiracies in popular culture  |z Russia (Federation)  |x History  |y 20th century. 
650 0 |a Paranoia in literature. 
650 0 |a Paranoia in popular culture  |z Russia (Federation)  |x History  |y 20th century. 
650 0 |a Russian fiction  |y 20th century  |x History and criticism. 
650 7 |a LITERARY CRITICISM / Russian & Former Soviet Union.  |2 bisacsh 
653 |a Bekmambetov. 
653 |a Dostoevsky. 
653 |a Pelevin. 
653 |a Prokhanov. 
653 |a Russia. 
653 |a apocalypticism. 
653 |a conspiracy theories. 
653 |a conspiracy, paranoia. 
653 |a post-Soviet cinema. 
653 |a post-Soviet culture. 
653 |a post-Soviet literature. 
653 |a post-catastrophe. 
653 |a post-modernism. 
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