Poetry on Stage : : The Theatre of the Italian Neo-Avant-Garde / / Gianluca Rizzo.
Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic...
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| Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press Complete eBook-Package 2020 |
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2020] ©2020 |
| Year of Publication: | 2020 |
| Language: | English |
| Series: | Toronto Italian Studies
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| Online Access: | |
| Physical Description: | 1 online resource (472 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Note on Terminology
- Introduction
- 1 Why the Theatre? The Role of the Stage in the Theoretical Debate Surrounding the Poetry and Poetics of the Neo-Avant- Garde
- 2 The Italian Stage in the 1960s
- 3 A Few Theoretical Notes on Breath and Text: Antonio Porta and Giuliano Scabia
- 4 An Introduction to Pagliarani’s Theatre
- 5 Collaborations and Convergences: Pagliarani, Giuliani, Celli, and Sanguineti
- Interviews
- Interview with Valentina Valentini, Rome, 25 March 2017
- Interview with Pippo Di Marca, Rome, 25 March 2017
- Interview with Nanni Balestrini, Milan, 4 April 2017
- Interview with Giuliano Scabia, Florence, 1 April 2017
- Notes
- Works Cited
- Index