The Court and Its Critics : : Anti-Court Sentiments in Early Modern Italy / / Paola Ugolini.

Anti-courtly discourse furnished a platform for discussing some of the most pressing questions of early modern Italian society. The court was the space that witnessed a new form of negotiation of identity and prestige, the definition of masculinity and of gender-specific roles, the birth of modern p...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English
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Place / Publishing House:Toronto : : University of Toronto Press, , [2020]
©2020
Year of Publication:2020
Language:English
Series:Toronto Italian Studies
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Physical Description:1 online resource (312 p.) :; 12 b&w illustrations
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100 1 |a Ugolini, Paola,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Court and Its Critics :  |b Anti-Court Sentiments in Early Modern Italy /  |c Paola Ugolini. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (312 p.) :  |b 12 b&w illustrations 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t Chapter One. The Courtier --   |t Chapter Two. The Lady --   |t Chapter Three. The Satirist --   |t Chapter Four. The Shepherd --   |t Afterword --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Anti-courtly discourse furnished a platform for discussing some of the most pressing questions of early modern Italian society. The court was the space that witnessed a new form of negotiation of identity and prestige, the definition of masculinity and of gender-specific roles, the birth of modern politics and of an ethics based on merit and on individual self-interest. The Court and Its Critics analyses anti-courtly critiques using a wide variety of sources including manuals of courtliness, dialogues, satires, and plays, from the mid-fifteenth to the early seventeenth century. The book is structured around four key figures that embody different features of anti-courtly sentiments. The figure of the courtier shows that sentiments against the court were present even among those who apparently benefitted from such a system of power. The court lady allows an investigation of the intertwining of anti-courtliness and anti-feminism. The satirist and the shepherd of pastoral dramas are investigated as attempts to fashion two different forms of a new self for the court intellectual. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 0 |a Satire, Italian  |x History and criticism. 
650 7 |a LITERARY CRITICISM / Renaissance.  |2 bisacsh 
653 |a Anti-courtliness. 
653 |a Anti-feminism. 
653 |a Court lady. 
653 |a Court. 
653 |a Courtier. 
653 |a Courtliness. 
653 |a Masculinity. 
653 |a Pastoral. 
653 |a Renaissance literature. 
653 |a Satire. 
653 |a early modern Italy. 
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