The Dramaturgy of the Spectator : : Italian Theatre and the Public Sphere, 1600-1800 /

The Dramaturgy of the Spectator : : Italian Theatre and the Public Sphere, 1600-1800 / / Tatiana Korneeva.

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The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has v...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 English
VerfasserIn:
Korneeva, Tatiana,
Place / Publishing House:Toronto : : University of Toronto Press, , [2019]
©2019
Year of Publication:2019
Language:English
Series:Toronto Italian Studies
Online Access:
Physical Description:1 online resource (274 p.)
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100 1 |a Korneeva, Tatiana,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Dramaturgy of the Spectator :  |b Italian Theatre and the Public Sphere, 1600-1800 /  |c Tatiana Korneeva. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource (274 p.) 
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490 0 |a Toronto Italian Studies 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Chronology of Italian Theatre, 1600-1800 --   |t Introduction --   |t 1. How Theatre Invents the Public Sphere --   |t 2. The Privileged Visibility of the Viewer --   |t 3. The Politics of Spectatorship --   |t 4. Public Emotions and Emotional Publics --   |t 5. Playwrights Fight Back --   |t 6. Liberty and the Audience --   |t Epilogue --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021) 
650 0 |a Italian drama  |y 18th century  |x History and criticism. 
650 0 |a Italian drama  |y To 1700  |x History and criticism. 
650 0 |a Spectators  |z Italy  |x History  |y 17th century. 
650 0 |a Spectators  |z Italy  |x History  |y 18th century. 
650 0 |a Theater audiences  |z Italy  |x History  |y 17th century. 
650 0 |a Theater audiences  |z Italy  |x History  |y 18th century. 
650 0 |a Theater audiences  |z Italy  |x Psychology  |x History  |y 17th century. 
650 0 |a Theater audiences  |z Italy  |x Psychology  |x History  |y 18th century. 
650 7 |a LITERARY CRITICISM / European / Italian.  |2 bisacsh 
653 |a art. 
653 |a audience. 
653 |a drama. 
653 |a dramaturgy. 
653 |a history of the theatre. 
653 |a italian history. 
653 |a italian literature. 
653 |a italian theatre. 
653 |a literature. 
653 |a performance studies. 
653 |a public sphere. 
653 |a spectators. 
653 |a theatre studies. 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of Toronto Press Complete eBook-Package 2019  |z 9783110652062 
776 0 |c print  |z 9781487505356 
856 4 0 |u https://doi.org/10.3138/9781487532086 
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