Russian Modernism in the Memories of the Survivors : : The Duvakin Interviews, 1967–1974 / / ed. by Margarita Marinova, Irina Evdokimova, Slav N. Gratchev.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English
• MitwirkendeR: Emerson, Caryl,; Snegireva, Ekaterina,; Sporov, Dmitry,
• HerausgeberIn: Evdokimova, Irina,; Gratchev, Slav N. ,; Marinova, Margarita,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2021]; ©2021
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (248 p.) :; 30 b&w illustrations
• Other title: Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; Introduction: The Revolution of the Word and Its Context --; DIALOGUE 1 With Viktor Ardov on 6 August 1974 --; DIALOGUE 2 With Viktor Ardov on 19 August 1974 --; DIALOGUE 3 With Vladimir and Ariadna Sosinsky on 18 June 1969 --; DIALOGUE 4 With Roman Jakobson on 21 August 1967 --; DIALOGUE 5 With Vladimir and Ariadna Sosinsky on 21 June 1969 --; Afterword --; Notes on the Photography Collection --; About the Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781487527266; 9783110754001; 9783110753776; 9783110754124; 9783110753899; 9783110739220
• DOI: 10.3138/9781487527266
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Margarita Marinova, Irina Evdokimova, Slav N. Gratchev.

In the late 1960s and early 1970s, Soviet philologist, literary dissident, and university professor Viktor Duvakin made it his mission to interview the members of the artistic avant-garde who had survived the Russian Revolution, Stalin’s purges, and the Second World War. Based on archival materials held at the Moscow State University Library, Russian Modernism in the Memories of the Survivors catalogues six interviews conducted by Duvakin. The interviewees talk about their most intimate life experiences and give personal accounts of their interactions with famous writers and artists such as Vsevolod Meyerhold, Sergei Eisenstein, and Marina Tsvetaeva. They offer insights into the world of Russian emigrants in Prague and Paris, the uprising against the Communist government, what it was like to work at the United Nations after the Second World War, and other important aspects of life in the Soviet Union and Europe during the first half of the twentieth century. Archival photographs, as well as hundreds of annotations to the text, are included to help readers understand the historical and cultural context of the interviews. The unique and previously unpublished materials in Russian Modernism in the Memories of the Survivors will be of great interest to anyone who wants to learn more about this fascinating period in Soviet history.