Picture Freedom : : Remaking Black Visuality in the Early Nineteenth Century / / Jasmine Nichole Cobb.

In the decades leading up to the end of U.S. slavery, many free Blacks sat for daguerreotypes decorated in fine garments to document their self-possession. People pictured in these early photographs used portraiture to seize control over representation of the free Black body and reimagine Black visu...

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Place / Publishing House:New York, NY : : New York University Press, , [2015]
©2015
Year of Publication:2015
Language:English
Series:America and the Long 19th Century ; 20
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Physical Description:1 online resource :; 51 black and white illustrations, 20 Illustrations, color
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id 9781479890415
ctrlnum (DE-B1597)680883
collection bib_alma
record_format marc
spelling Cobb, Jasmine Nichole, author. aut http://id.loc.gov/vocabulary/relators/aut
Picture Freedom : Remaking Black Visuality in the Early Nineteenth Century / Jasmine Nichole Cobb.
New York, NY : New York University Press, [2015]
©2015
1 online resource : 51 black and white illustrations, 20 Illustrations, color
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
America and the Long 19th Century ; 20
Frontmatter -- Contents -- Acknowledgments -- Introduction: Parlor Fantasies, Parlor Nightmares -- 1 “A Peculiarly ‘Ocular’ Institution” -- 2 Optics of Respectability: Women, Vision, and the Black Private Sphere -- 3 “Look! A Negress”: Public Women, Private Horrors, and the White Ontology of the Gaze -- 4 Racial Iconography: Freedom and Black Citizenship in the Antebellum North -- 5 Racing the Transatlantic Parlor: Blackness at Home and Abroad -- Epilogue: The Specter of Black Freedom -- Notes -- Index -- About the Author
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
In the decades leading up to the end of U.S. slavery, many free Blacks sat for daguerreotypes decorated in fine garments to document their self-possession. People pictured in these early photographs used portraiture to seize control over representation of the free Black body and reimagine Black visuality divorced from the cultural logics of slavery. In Picture Freedom, Jasmine Nichole Cobb analyzes the ways in which the circulation of various images prepared free Blacks and free Whites for the emancipation of formerly unfree people of African descent. She traces the emergence of Black freedom as both an idea and as an image during the early nineteenth century. Through an analysis of popular culture of the period-including amateur portraiture, racial caricatures, joke books, antislavery newspapers, abolitionist materials, runaway advertisements, ladies’ magazines, and scrapbooks, as well as scenic wallpaper-Cobb explores the earliest illustrations of free Blacks and reveals the complicated route through visual culture toward a vision of African American citizenship. Picture Freedom reveals how these depictions contributed to public understandings of nationhood, among both domestic eyes and the larger Atlantic world.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2024)
African Americans in popular culture History 19th century.
African Americans History To 1863.
Free African Americans History 19th century Pictorial works.
Free African Americans History 19th century.
Pictures Social aspects United States History 19th century.
Popular culture United States History 19th century.
Racism in popular culture United States History 19th century.
Slavery Social aspects United States History 19th century.
Visual communication United States History 19th century.
SOCIAL SCIENCE / Ethnic Studies / African American Studies. bisacsh
https://doi.org/10.18574/nyu/9781479890415.001.0001
https://www.degruyter.com/isbn/9781479890415
Cover https://www.degruyter.com/document/cover/isbn/9781479890415/original
language English
format eBook
author Cobb, Jasmine Nichole,
Cobb, Jasmine Nichole,
spellingShingle Cobb, Jasmine Nichole,
Cobb, Jasmine Nichole,
Picture Freedom : Remaking Black Visuality in the Early Nineteenth Century /
America and the Long 19th Century ;
Frontmatter --
Contents --
Acknowledgments --
Introduction: Parlor Fantasies, Parlor Nightmares --
1 “A Peculiarly ‘Ocular’ Institution” --
2 Optics of Respectability: Women, Vision, and the Black Private Sphere --
3 “Look! A Negress”: Public Women, Private Horrors, and the White Ontology of the Gaze --
4 Racial Iconography: Freedom and Black Citizenship in the Antebellum North --
5 Racing the Transatlantic Parlor: Blackness at Home and Abroad --
Epilogue: The Specter of Black Freedom --
Notes --
Index --
About the Author
author_facet Cobb, Jasmine Nichole,
Cobb, Jasmine Nichole,
author_variant j n c jn jnc
j n c jn jnc
author_role VerfasserIn
VerfasserIn
author_sort Cobb, Jasmine Nichole,
title Picture Freedom : Remaking Black Visuality in the Early Nineteenth Century /
title_sub Remaking Black Visuality in the Early Nineteenth Century /
title_full Picture Freedom : Remaking Black Visuality in the Early Nineteenth Century / Jasmine Nichole Cobb.
title_fullStr Picture Freedom : Remaking Black Visuality in the Early Nineteenth Century / Jasmine Nichole Cobb.
title_full_unstemmed Picture Freedom : Remaking Black Visuality in the Early Nineteenth Century / Jasmine Nichole Cobb.
title_auth Picture Freedom : Remaking Black Visuality in the Early Nineteenth Century /
title_alt Frontmatter --
Contents --
Acknowledgments --
Introduction: Parlor Fantasies, Parlor Nightmares --
1 “A Peculiarly ‘Ocular’ Institution” --
2 Optics of Respectability: Women, Vision, and the Black Private Sphere --
3 “Look! A Negress”: Public Women, Private Horrors, and the White Ontology of the Gaze --
4 Racial Iconography: Freedom and Black Citizenship in the Antebellum North --
5 Racing the Transatlantic Parlor: Blackness at Home and Abroad --
Epilogue: The Specter of Black Freedom --
Notes --
Index --
About the Author
title_new Picture Freedom :
title_sort picture freedom : remaking black visuality in the early nineteenth century /
series America and the Long 19th Century ;
series2 America and the Long 19th Century ;
publisher New York University Press,
publishDate 2015
physical 1 online resource : 51 black and white illustrations, 20 Illustrations, color
contents Frontmatter --
Contents --
Acknowledgments --
Introduction: Parlor Fantasies, Parlor Nightmares --
1 “A Peculiarly ‘Ocular’ Institution” --
2 Optics of Respectability: Women, Vision, and the Black Private Sphere --
3 “Look! A Negress”: Public Women, Private Horrors, and the White Ontology of the Gaze --
4 Racial Iconography: Freedom and Black Citizenship in the Antebellum North --
5 Racing the Transatlantic Parlor: Blackness at Home and Abroad --
Epilogue: The Specter of Black Freedom --
Notes --
Index --
About the Author
isbn 9781479890415
callnumber-first E - United States History
callnumber-subject E - United States History
callnumber-label E185
callnumber-sort E 3185.18 C62 42015EB
genre_facet Pictorial works.
geographic_facet United States
era_facet 19th century.
To 1863.
19th century
url https://doi.org/10.18574/nyu/9781479890415.001.0001
https://www.degruyter.com/isbn/9781479890415
https://www.degruyter.com/document/cover/isbn/9781479890415/original
illustrated Not Illustrated
dewey-hundreds 300 - Social sciences
dewey-tens 300 - Social sciences, sociology & anthropology
dewey-ones 305 - Social groups
dewey-full 305.896/073009034
dewey-sort 3305.896 873009034
dewey-raw 305.896/073009034
dewey-search 305.896/073009034
doi_str_mv 10.18574/nyu/9781479890415.001.0001
work_keys_str_mv AT cobbjasminenichole picturefreedomremakingblackvisualityintheearlynineteenthcentury
status_str n
ids_txt_mv (DE-B1597)680883
carrierType_str_mv cr
is_hierarchy_title Picture Freedom : Remaking Black Visuality in the Early Nineteenth Century /
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