Surveillance Cinema / / Catherine Zimmer.
In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent onl...
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Superior document: | Title is part of eBook package: De Gruyter NYUP / FUP Complete eBook-Package 2014-2015 |
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Place / Publishing House: | New York, NY : : New York University Press, , [2015] ©2015 |
Year of Publication: | 2015 |
Language: | English |
Series: | Postmillennial Pop ;
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Physical Description: | 1 online resource |
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Zimmer, Catherine, author. aut http://id.loc.gov/vocabulary/relators/aut Surveillance Cinema / Catherine Zimmer. New York, NY : New York University Press, [2015] ©2015 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Postmillennial Pop ; 2 Frontmatter -- Contents -- Acknowledgments -- Author's Note -- Introduction -- 1. Video Surveillance, Torture Porn, and Zones of Indistinction -- 2. Commodified Surveillance -- 3. The Global Eye -- 4. Temporality and Surveillance I -- 5. Temporality and Surveillance II -- Conclusion -- Notes -- Bibliography -- Index -- About the Author restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Electronic surveillance in motion pictures. SOCIAL SCIENCE / Media Studies. bisacsh Title is part of eBook package: De Gruyter NYUP / FUP Complete eBook-Package 2014-2015 9783110711875 print 9781479864379 https://www.degruyter.com/isbn/9781479876853 Cover https://www.degruyter.com/cover/covers/9781479876853.jpg |
language |
English |
format |
eBook |
author |
Zimmer, Catherine, Zimmer, Catherine, |
spellingShingle |
Zimmer, Catherine, Zimmer, Catherine, Surveillance Cinema / Postmillennial Pop ; Frontmatter -- Contents -- Acknowledgments -- Author's Note -- Introduction -- 1. Video Surveillance, Torture Porn, and Zones of Indistinction -- 2. Commodified Surveillance -- 3. The Global Eye -- 4. Temporality and Surveillance I -- 5. Temporality and Surveillance II -- Conclusion -- Notes -- Bibliography -- Index -- About the Author |
author_facet |
Zimmer, Catherine, Zimmer, Catherine, |
author_variant |
c z cz c z cz |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Zimmer, Catherine, |
title |
Surveillance Cinema / |
title_full |
Surveillance Cinema / Catherine Zimmer. |
title_fullStr |
Surveillance Cinema / Catherine Zimmer. |
title_full_unstemmed |
Surveillance Cinema / Catherine Zimmer. |
title_auth |
Surveillance Cinema / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Author's Note -- Introduction -- 1. Video Surveillance, Torture Porn, and Zones of Indistinction -- 2. Commodified Surveillance -- 3. The Global Eye -- 4. Temporality and Surveillance I -- 5. Temporality and Surveillance II -- Conclusion -- Notes -- Bibliography -- Index -- About the Author |
title_new |
Surveillance Cinema / |
title_sort |
surveillance cinema / |
series |
Postmillennial Pop ; |
series2 |
Postmillennial Pop ; |
publisher |
New York University Press, |
publishDate |
2015 |
physical |
1 online resource Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Author's Note -- Introduction -- 1. Video Surveillance, Torture Porn, and Zones of Indistinction -- 2. Commodified Surveillance -- 3. The Global Eye -- 4. Temporality and Surveillance I -- 5. Temporality and Surveillance II -- Conclusion -- Notes -- Bibliography -- Index -- About the Author |
isbn |
9781479876853 9783110711875 9781479864379 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 E38 Z56 42016 |
url |
https://www.degruyter.com/isbn/9781479876853 https://www.degruyter.com/cover/covers/9781479876853.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43656 |
dewey-sort |
3791.43656 |
dewey-raw |
791.43656 |
dewey-search |
791.43656 |
oclc_num |
904209628 |
work_keys_str_mv |
AT zimmercatherine surveillancecinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)547166 (OCoLC)904209628 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter NYUP / FUP Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Surveillance Cinema / |
container_title |
Title is part of eBook package: De Gruyter NYUP / FUP Complete eBook-Package 2014-2015 |
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