Modernity's Ear : : Listening to Race and Gender in World Music / / Roshanak Kheshti.
Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these e...
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Superior document: | Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2014-2015 |
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Place / Publishing House: | New York, NY : : New York University Press, , [2015] ©2015 |
Year of Publication: | 2015 |
Language: | English |
Series: | Postmillennial Pop ;
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Physical Description: | 1 online resource :; 4 black and white illustrations |
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Kheshti, Roshanak, author. aut http://id.loc.gov/vocabulary/relators/aut Modernity's Ear : Listening to Race and Gender in World Music / Roshanak Kheshti. New York, NY : New York University Press, [2015] ©2015 1 online resource : 4 black and white illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Postmillennial Pop ; 3 Frontmatter -- Contents -- Acknowledgments -- Preface: Playing by Ear -- Introduction -- 1. The Female Sound Collector and Her Talking Machine -- 2. Listen, Inc.: Aural Modernity and Incorporation -- 3. Losing the Listening Self in the Aural Other -- 4. Racial Noise, Hybridity, and Miscegenation in World Music -- 5. The World Music Culture of Incorporation -- Epilogue: Modernity’s Radical Ear and the Sonic Infidelity of Zora Neale Hurston’s Recordings -- Notes -- References -- Index -- About the Author restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them.In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Music and race. Sound recordings Social aspects. World music Social aspects. SOCIAL SCIENCE / Gender Studies. bisacsh Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2014-2015 9783110728996 print 9781479867011 https://doi.org/10.18574/nyu/9781479867011.001.0001 https://www.degruyter.com/isbn/9781479861125 Cover https://www.degruyter.com/document/cover/isbn/9781479861125/original |
language |
English |
format |
eBook |
author |
Kheshti, Roshanak, Kheshti, Roshanak, |
spellingShingle |
Kheshti, Roshanak, Kheshti, Roshanak, Modernity's Ear : Listening to Race and Gender in World Music / Postmillennial Pop ; Frontmatter -- Contents -- Acknowledgments -- Preface: Playing by Ear -- Introduction -- 1. The Female Sound Collector and Her Talking Machine -- 2. Listen, Inc.: Aural Modernity and Incorporation -- 3. Losing the Listening Self in the Aural Other -- 4. Racial Noise, Hybridity, and Miscegenation in World Music -- 5. The World Music Culture of Incorporation -- Epilogue: Modernity’s Radical Ear and the Sonic Infidelity of Zora Neale Hurston’s Recordings -- Notes -- References -- Index -- About the Author |
author_facet |
Kheshti, Roshanak, Kheshti, Roshanak, |
author_variant |
r k rk r k rk |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Kheshti, Roshanak, |
title |
Modernity's Ear : Listening to Race and Gender in World Music / |
title_sub |
Listening to Race and Gender in World Music / |
title_full |
Modernity's Ear : Listening to Race and Gender in World Music / Roshanak Kheshti. |
title_fullStr |
Modernity's Ear : Listening to Race and Gender in World Music / Roshanak Kheshti. |
title_full_unstemmed |
Modernity's Ear : Listening to Race and Gender in World Music / Roshanak Kheshti. |
title_auth |
Modernity's Ear : Listening to Race and Gender in World Music / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Preface: Playing by Ear -- Introduction -- 1. The Female Sound Collector and Her Talking Machine -- 2. Listen, Inc.: Aural Modernity and Incorporation -- 3. Losing the Listening Self in the Aural Other -- 4. Racial Noise, Hybridity, and Miscegenation in World Music -- 5. The World Music Culture of Incorporation -- Epilogue: Modernity’s Radical Ear and the Sonic Infidelity of Zora Neale Hurston’s Recordings -- Notes -- References -- Index -- About the Author |
title_new |
Modernity's Ear : |
title_sort |
modernity's ear : listening to race and gender in world music / |
series |
Postmillennial Pop ; |
series2 |
Postmillennial Pop ; |
publisher |
New York University Press, |
publishDate |
2015 |
physical |
1 online resource : 4 black and white illustrations |
contents |
Frontmatter -- Contents -- Acknowledgments -- Preface: Playing by Ear -- Introduction -- 1. The Female Sound Collector and Her Talking Machine -- 2. Listen, Inc.: Aural Modernity and Incorporation -- 3. Losing the Listening Self in the Aural Other -- 4. Racial Noise, Hybridity, and Miscegenation in World Music -- 5. The World Music Culture of Incorporation -- Epilogue: Modernity’s Radical Ear and the Sonic Infidelity of Zora Neale Hurston’s Recordings -- Notes -- References -- Index -- About the Author |
isbn |
9781479861125 9783110728996 9781479867011 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML3916 |
callnumber-sort |
ML 43916 K54 42016 |
url |
https://doi.org/10.18574/nyu/9781479867011.001.0001 https://www.degruyter.com/isbn/9781479861125 https://www.degruyter.com/document/cover/isbn/9781479861125/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
780 - Music |
dewey-full |
780.9 |
dewey-sort |
3780.9 |
dewey-raw |
780.9 |
dewey-search |
780.9 |
doi_str_mv |
10.18574/nyu/9781479867011.001.0001 |
oclc_num |
929452224 |
work_keys_str_mv |
AT kheshtiroshanak modernitysearlisteningtoraceandgenderinworldmusic |
status_str |
n |
ids_txt_mv |
(DE-B1597)548127 (OCoLC)929452224 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Modernity's Ear : Listening to Race and Gender in World Music / |
container_title |
Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2014-2015 |
_version_ |
1806143858883428352 |
fullrecord |
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