Sensual Excess : : Queer Femininity and Brown Jouissance / / Amber Jamilla Musser.

• Superior document: Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2018
• VerfasserIn: Musser, Amber Jamilla,
• Place / Publishing House: New York, NY : : New York University Press, , [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Sexual Cultures ; 51
• Physical Description: 1 online resource :; 11 black and white illustrations
• Other title: Frontmatter --; Contents --; Introduction --; 1. Eating Out --; 2. Surface Play --; 3. Deep Listening, Belonging, and the Pleasures of Brown Jouissance --; 4. Performing Witness --; 5. Weeping Machines --; 6. Femme Aggression and the Value of Labor --; Coda --; Acknowledgments --; Notes --; Bibliography --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781479845491; 9783110722741
• DOI: 10.18574/nyu/9781479807031.001.0001
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Amber Jamilla Musser.

Reimagines black and brown sensuality to develop new modes of knowledge productionIn Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters.To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago’s The Dinner Party, Kara Walker’s A Subtlety, Patty Chang’s In Love and Nao Bustamante’s Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.