Loving Justice : : Legal Emotions in William Blackstone's England / / Kathryn D. Temple.

• Superior document: Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2019
• VerfasserIn: Temple, Kathryn D.,
• Place / Publishing House: New York, NY : : New York University Press, , [2019]; ©2019
• Year of Publication: 2019
• Language: English
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Introduction. Shaping legal emotions in Blackstone’s England --; 1. What’s love got to do with it?: desire, disgust, and the ends of marriage law --; 2. Blackstone’s “last tear”: productive melancholia and the sense of no ending --; 3. The orator’s dilemma: public embarrassment and the promise of the book --; 4. Terror, torture, and the tender heart of the law --; 5. Blackstone’s long tail: the (un)happiness of harmonic justice --; Coda: excessive subjectivity is the new subjectivity (speculations) --; Acknowledgments --; Notes --; Bibliography --; Index --; About the author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781479832637; 9783110722727
• DOI: 10.18574/nyu/9781479895274.001.0001
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Kathryn D. Temple.

A history of legal emotions in William Blackstone’s England and their relationship to justiceWilliam Blackstone’s masterpiece, Commentaries on the Laws of England (1765–1769), famously took the “ungodly jumble” of English law and transformed it into an elegant and easily transportable four-volume summary. Soon after publication, the work became an international monument not only to English law, but to universal English concepts of justice and what Blackstone called “the immutable laws of good and evil.” Most legal historians regard the Commentaries as a brilliant application of Enlightenment reasoning to English legal history. Loving Justice contends that Blackstone’s work extends beyond making sense of English law to invoke emotions such as desire, disgust, sadness, embarrassment, terror, tenderness, and happiness. By enlisting an affective aesthetics to represent English law as just, Blackstone created an evocative poetics of justice whose influence persists across the Western world. In doing so, he encouraged readers to feel as much as reason their way to justice. Ultimately, Temple argues that the Commentaries offers a complex map of our affective relationship to juridical culture, one that illuminates both individual and communal understandings of our search for justice, and is crucial for understanding both justice and injustice today.