Playing to the Crowd : : Musicians, Audiences, and the Intimate Work of Connection / / Nancy K. Baym.
Explains what happened to music-for both artists and fans-when music went online. Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musici...
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Superior document: | Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2018 |
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Place / Publishing House: | New York, NY : : New York University Press, , [2018] ©2018 |
Year of Publication: | 2018 |
Language: | English |
Series: | Postmillennial Pop ;
14 |
Online Access: | |
Physical Description: | 1 online resource :; 25 black and white illustrations |
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001 | 9781479815357 | ||
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020 | |a 9781479815357 | ||
024 | 7 | |a 10.18574/nyu/9781479896165.001.0001 |2 doi | |
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050 | 4 | |a ML3918.P67 |b B39 2019 | |
072 | 7 | |a BUS070060 |2 bisacsh | |
100 | 1 | |a Baym, Nancy K., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Playing to the Crowd : |b Musicians, Audiences, and the Intimate Work of Connection / |c Nancy K. Baym. |
264 | 1 | |a New York, NY : |b New York University Press, |c [2018] | |
264 | 4 | |c ©2018 | |
300 | |a 1 online resource : |b 25 black and white illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Postmillennial Pop ; |v 14 | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Figures -- |t Introduction -- |t Part I. Music -- |t 1. Music as Communication -- |t 2. Music as Commodity -- |t Part II. Participation -- |t 3. Audiences -- |t 4. Participatory Boundaries -- |t Part III. Relationships -- |t 5. Platforms -- |t 6. Relational Boundaries -- |t Conclusion -- |t Acknowledgments -- |t Appendix 1 -- |t Appendix 2 -- |t Notes -- |t References -- |t Index -- |t About the Author |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Explains what happened to music-for both artists and fans-when music went online. Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musicians such as Billy Bragg and Richie Hawtin, as well as members of the Cure, UB40, and Throwing Muses, Baym reveals how new media has facilitated these connections through the active, and often required, participation of the artists and their devoted, digital fan base.Before the rise of social sharing and user-generated content, fans were mostly seen as an undifferentiated and unidentifiable mass, often mediated through record labels and the press. However, in today’s networked era, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving fans a new sense of intimacy and offering artists unparalleled information about their audiences. However, this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be both personally and financially draining, as well as extremely labor intensive.Drawing on her own rich history as an active and deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put in to create and maintain these intimate relationships reflect the demands of the gig economy, one which requires resources and strategies that we must all come to recognize and appreciate. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 0 | |a Music |x Performance |x Psychological aspects. | |
650 | 0 | |a Popular music fans. | |
650 | 0 | |a Popular music |x Social aspects. | |
650 | 7 | |a BUSINESS & ECONOMICS / Industries / Media & Communications. |2 bisacsh | |
653 | |a concert hall. | ||
653 | |a digital communication. | ||
653 | |a digital fan base. | ||
653 | |a fandom. | ||
653 | |a itunes. | ||
653 | |a media culture. | ||
653 | |a music audiences. | ||
653 | |a music ethnography. | ||
653 | |a music fans. | ||
653 | |a music landscape. | ||
653 | |a music platforms. | ||
653 | |a music research. | ||
653 | |a music streaming. | ||
653 | |a music technology. | ||
653 | |a music websites. | ||
653 | |a online music. | ||
653 | |a online streaming. | ||
653 | |a personal connections. | ||
653 | |a social media and music. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t New York University Press Complete eBook-Package 2018 |z 9783110722741 |
776 | 0 | |c print |z 9781479896165 | |
856 | 4 | 0 | |u https://doi.org/10.18574/nyu/9781479896165.001.0001 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781479815357 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781479815357/original |
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