Distressing Language : : Disability and the Poetics of Error / / Michael Davidson.
The role of disability and deafness in artDistressing Language is full of mistakes—errors of hearing, speaking, writing, and understanding. Michael Davidson engages the role of disability and deafness in contemporary aesthetics, exploring how physical and intellectual differences challenge our under...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York, NY : : New York University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Crip
|
Online Access: | |
Physical Description: | 1 online resource :; 24 b/w illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781479813858 |
---|---|
lccn |
2021030643 |
ctrlnum |
(DE-B1597)613383 (OCoLC)1296424934 |
collection |
bib_alma |
record_format |
marc |
spelling |
Davidson, Michael, author. aut http://id.loc.gov/vocabulary/relators/aut Distressing Language : Disability and the Poetics of Error / Michael Davidson. New York, NY : New York University Press, [2022] ©2022 1 online resource : 24 b/w illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Crip Frontmatter -- Contents -- List of Figures -- Introduction: Distressing Language -- 1. Poetics of Mishearing -- 2. Siting Sound: Redistributing the Senses in Christine Sun Kim -- 3. Misspeaking Poetics -- 4. “Tongue-tied and / muscle / bound”: Doing Time with Eigner -- 5. Diverting Language: Jena Osman’s Corporate Subject -- 6. Missing Music: The Theft of Sound in Alison O’Daniel’s The Tuba Thieves -- 7. A Captioned Life -- Afterword: Redressing Language -- Acknowledgments -- Notes -- Works Cited -- Index -- About the Author restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The role of disability and deafness in artDistressing Language is full of mistakes—errors of hearing, speaking, writing, and understanding. Michael Davidson engages the role of disability and deafness in contemporary aesthetics, exploring how physical and intellectual differences challenge our understanding of art and poetry. Where hearing and speaking are considered normative conditions of the human, what happens when words are misheard and misspoken? How have writers and artists, both disabled and non-disabled, used error as generative elements in contesting the presumed value of “sounding good”? Distressing Language grows out of the author’s experience of hearing loss in which misunderstandings have become a daily occurrence. Davidson maintains that verbal confusions are less an aberration in understanding than a component of new knowledge.Davidson discusses a range of sites, from captioning errors and Bad Lip Reads on YouTube, to the deaf artist Christine Sun Kim’s audiovisual installations, and a poetic reinterpretation of the Biblical Shibboleth responding to the atrocities of the Holocaust. Deafness becomes a guide in each chapter of Distressing Language, giving us a closer look at a range of artistic mediums and how artists are working with the axiom of “error” to produce novel subjecthoods and possibilities. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) Communication and the arts. Miscommunication in art. Miscommunication in literature. People with disabilities and the arts. SOCIAL SCIENCE / Media Studies. bisacsh AIDS/HIV. Alison O’Daniel. Audio. Captions. Carolyn Lazard. Catherine Yass. Christian Marclay. Christine Sun Kim. Citizens United. Comprehension. Crip. Deaf gain. Deafness. Disability. Error. Georges Canguilhem. Jacques Ranciere. Jena Osman. Language. Larry Eigner. Lipreading. Liza Sylvestre. Malaprops. Mishearing. Misspeaking. Mistake. Redistribution. Robert Fitterman. Shibboleth. The Sound of Metal. Trump administration. aeolian harp. appropriation. cerebral palsy. communicational feedback. coronavirus. corporate subject. crip temporality. d/Deaf culture. disability studies. distributed voice. error. inner speech. legal subject. modernism. mondegreens. non-cochlear music. post-truth. slow poetics. sound studies. soundscape. stuttering. Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English 9783110993752 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 9783110993738 ZDB-23-DKU Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2022 9783110751628 https://doi.org/10.18574/nyu/9781479813858.001.0001 https://www.degruyter.com/isbn/9781479813858 Cover https://www.degruyter.com/document/cover/isbn/9781479813858/original |
language |
English |
format |
eBook |
author |
Davidson, Michael, Davidson, Michael, |
spellingShingle |
Davidson, Michael, Davidson, Michael, Distressing Language : Disability and the Poetics of Error / Crip Frontmatter -- Contents -- List of Figures -- Introduction: Distressing Language -- 1. Poetics of Mishearing -- 2. Siting Sound: Redistributing the Senses in Christine Sun Kim -- 3. Misspeaking Poetics -- 4. “Tongue-tied and / muscle / bound”: Doing Time with Eigner -- 5. Diverting Language: Jena Osman’s Corporate Subject -- 6. Missing Music: The Theft of Sound in Alison O’Daniel’s The Tuba Thieves -- 7. A Captioned Life -- Afterword: Redressing Language -- Acknowledgments -- Notes -- Works Cited -- Index -- About the Author |
author_facet |
Davidson, Michael, Davidson, Michael, |
author_variant |
m d md m d md |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Davidson, Michael, |
title |
Distressing Language : Disability and the Poetics of Error / |
title_sub |
Disability and the Poetics of Error / |
title_full |
Distressing Language : Disability and the Poetics of Error / Michael Davidson. |
title_fullStr |
Distressing Language : Disability and the Poetics of Error / Michael Davidson. |
title_full_unstemmed |
Distressing Language : Disability and the Poetics of Error / Michael Davidson. |
title_auth |
Distressing Language : Disability and the Poetics of Error / |
title_alt |
Frontmatter -- Contents -- List of Figures -- Introduction: Distressing Language -- 1. Poetics of Mishearing -- 2. Siting Sound: Redistributing the Senses in Christine Sun Kim -- 3. Misspeaking Poetics -- 4. “Tongue-tied and / muscle / bound”: Doing Time with Eigner -- 5. Diverting Language: Jena Osman’s Corporate Subject -- 6. Missing Music: The Theft of Sound in Alison O’Daniel’s The Tuba Thieves -- 7. A Captioned Life -- Afterword: Redressing Language -- Acknowledgments -- Notes -- Works Cited -- Index -- About the Author |
title_new |
Distressing Language : |
title_sort |
distressing language : disability and the poetics of error / |
series |
Crip |
series2 |
Crip |
publisher |
New York University Press, |
publishDate |
2022 |
physical |
1 online resource : 24 b/w illustrations |
contents |
Frontmatter -- Contents -- List of Figures -- Introduction: Distressing Language -- 1. Poetics of Mishearing -- 2. Siting Sound: Redistributing the Senses in Christine Sun Kim -- 3. Misspeaking Poetics -- 4. “Tongue-tied and / muscle / bound”: Doing Time with Eigner -- 5. Diverting Language: Jena Osman’s Corporate Subject -- 6. Missing Music: The Theft of Sound in Alison O’Daniel’s The Tuba Thieves -- 7. A Captioned Life -- Afterword: Redressing Language -- Acknowledgments -- Notes -- Works Cited -- Index -- About the Author |
isbn |
9781479813858 9783110993899 9783110994810 9783110993752 9783110993738 9783110751628 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NX - Arts in General |
callnumber-label |
NX180 |
callnumber-sort |
NX 3180 C65 D38 42022 |
url |
https://doi.org/10.18574/nyu/9781479813858.001.0001 https://www.degruyter.com/isbn/9781479813858 https://www.degruyter.com/document/cover/isbn/9781479813858/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.1 |
dewey-sort |
3700.1 |
dewey-raw |
700.1 |
dewey-search |
700.1 |
doi_str_mv |
10.18574/nyu/9781479813858.001.0001 |
oclc_num |
1296424934 |
work_keys_str_mv |
AT davidsonmichael distressinglanguagedisabilityandthepoeticsoferror |
status_str |
n |
ids_txt_mv |
(DE-B1597)613383 (OCoLC)1296424934 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2022 |
is_hierarchy_title |
Distressing Language : Disability and the Poetics of Error / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English |
_version_ |
1770177010399707136 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06741nam a22014055i 4500</leader><controlfield tag="001">9781479813858</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20230529101353.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">230529t20222022nyu fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2021030643</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781479813858</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.18574/nyu/9781479813858.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)613383</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1296424934</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">NX180.C65</subfield><subfield code="b">D38 2022</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC052000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">700.1</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Davidson, Michael, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Distressing Language :</subfield><subfield code="b">Disability and the Poetics of Error /</subfield><subfield code="c">Michael Davidson.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY : </subfield><subfield code="b">New York University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource :</subfield><subfield code="b">24 b/w illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Crip</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">List of Figures -- </subfield><subfield code="t">Introduction: Distressing Language -- </subfield><subfield code="t">1. Poetics of Mishearing -- </subfield><subfield code="t">2. Siting Sound: Redistributing the Senses in Christine Sun Kim -- </subfield><subfield code="t">3. Misspeaking Poetics -- </subfield><subfield code="t">4. “Tongue-tied and / muscle / bound”: Doing Time with Eigner -- </subfield><subfield code="t">5. Diverting Language: Jena Osman’s Corporate Subject -- </subfield><subfield code="t">6. Missing Music: The Theft of Sound in Alison O’Daniel’s The Tuba Thieves -- </subfield><subfield code="t">7. A Captioned Life -- </subfield><subfield code="t">Afterword: Redressing Language -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Works Cited -- </subfield><subfield code="t">Index -- </subfield><subfield code="t">About the Author</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The role of disability and deafness in artDistressing Language is full of mistakes—errors of hearing, speaking, writing, and understanding. Michael Davidson engages the role of disability and deafness in contemporary aesthetics, exploring how physical and intellectual differences challenge our understanding of art and poetry. Where hearing and speaking are considered normative conditions of the human, what happens when words are misheard and misspoken? How have writers and artists, both disabled and non-disabled, used error as generative elements in contesting the presumed value of “sounding good”? Distressing Language grows out of the author’s experience of hearing loss in which misunderstandings have become a daily occurrence. Davidson maintains that verbal confusions are less an aberration in understanding than a component of new knowledge.Davidson discusses a range of sites, from captioning errors and Bad Lip Reads on YouTube, to the deaf artist Christine Sun Kim’s audiovisual installations, and a poetic reinterpretation of the Biblical Shibboleth responding to the atrocities of the Holocaust. Deafness becomes a guide in each chapter of Distressing Language, giving us a closer look at a range of artistic mediums and how artists are working with the axiom of “error” to produce novel subjecthoods and possibilities.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Communication and the arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Miscommunication in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Miscommunication in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">People with disabilities and the arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Media Studies.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">AIDS/HIV.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Alison O’Daniel.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Audio.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Captions.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Carolyn Lazard.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Catherine Yass.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Christian Marclay.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Christine Sun Kim.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Citizens United.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Comprehension.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Crip.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Deaf gain.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Deafness.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Disability.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Error.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Georges Canguilhem.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jacques Ranciere.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jena Osman.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Language.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Larry Eigner.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Lipreading.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Liza Sylvestre.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Malaprops.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Mishearing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Misspeaking.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Mistake.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Redistribution.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Robert Fitterman.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Shibboleth.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Sound of Metal.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Trump administration.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">aeolian harp.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">appropriation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">cerebral palsy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">communicational feedback.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">coronavirus.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">corporate subject.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">crip temporality.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">d/Deaf culture.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">disability studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">distributed voice.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">error.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">inner speech.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">legal subject.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">modernism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">mondegreens.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">non-cochlear music.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">post-truth.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">slow poetics.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">sound studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">soundscape.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">stuttering.</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2022 English</subfield><subfield code="z">9783110993899</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2022</subfield><subfield code="z">9783110994810</subfield><subfield code="o">ZDB-23-DGG</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English</subfield><subfield code="z">9783110993752</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Literary, Cultural, Area Studies 2022</subfield><subfield code="z">9783110993738</subfield><subfield code="o">ZDB-23-DKU</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">New York University Press Complete eBook-Package 2022</subfield><subfield code="z">9783110751628</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.18574/nyu/9781479813858.001.0001</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781479813858</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781479813858/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-075162-8 New York University Press Complete eBook-Package 2022</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-099375-2 EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-099389-9 EBOOK PACKAGE COMPLETE 2022 English</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_HICS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_HICS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DKU</subfield><subfield code="b">2022</subfield></datafield></record></collection> |