The Racial Railroad / / Julia H. Lee.

Reveals the legacy of the train as a critical site of race in the United StatesDespite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has s...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
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Place / Publishing House:New York, NY : : New York University Press, , [2022]
©2022
Year of Publication:2022
Language:English
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Physical Description:1 online resource :; 11 b/w illustrations
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100 1 |a Lee, Julia H.,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Racial Railroad /  |c Julia H. Lee. 
264 1 |a New York, NY :   |b New York University Press,   |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource :  |b 11 b/w illustrations 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t Introduction --   |t 1 Tracks across the Land --   |t 2 The Chinaman’s Crime --   |t 3 Telling Stories --   |t 4 Remembrance and Reenactment at Promontory Summit --   |t 5 The Jim Crow Train in African American Literature --   |t 6 Riding the Blind --   |t 7 Speculative Trains --   |t 8 Fugitive Trains --   |t Coda --   |t Acknowledgments --   |t Notes --   |t Bibliography --   |t Index --   |t About the Author 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Reveals the legacy of the train as a critical site of race in the United StatesDespite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It’s no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad highlights the surprisingly central role that the railroad has played—and continues to play—in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives.Lee demonstrates how, through legacies of racialized labor and disenfranchisement—from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to ??the underground railroad and Jim Crow segregation—the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / Asian American Studies.  |2 bisacsh 
653 |a African American literature. 
653 |a American exceptionalism. 
653 |a Anna Julia Cooper. 
653 |a Asian American literature. 
653 |a Atchison Topeka and Santa Fe Railroad. 
653 |a Blues. 
653 |a Bong Joon-ho. 
653 |a C. Pam Zhang. 
653 |a Charles “Cow Cow Davenport”. 
653 |a Chinese American railroad worker. 
653 |a Chinese railroad worker. 
653 |a Chinese railroad workers. 
653 |a Colson Whitehead. 
653 |a Corky Lee. 
653 |a David Henry Hwang. 
653 |a Elizabeth Cotton. 
653 |a First Transcontinental Railroad. 
653 |a Frank Chin. 
653 |a Gertrude “Ma” Rainey. 
653 |a James Weldon Johnson. 
653 |a Jaque Fragua. 
653 |a Jim Crow. 
653 |a La Bestia. 
653 |a Lin-Manuel Miranda. 
653 |a Maxine Hong Kingston. 
653 |a Modernity. 
653 |a Narrative. 
653 |a Peter Ho Davies. 
653 |a Promontory Summit, Utah. 
653 |a Race. 
653 |a Railroad. 
653 |a Ralph Ellison. 
653 |a Tomás Whitmore. 
653 |a US railroad. 
653 |a W.E.B. Du Bois. 
653 |a Willa Cather. 
653 |a Zhi Lin. 
653 |a carcerality. 
653 |a champagne photograph. 
653 |a golden spike. 
653 |a landscape painting. 
653 |a manifest destiny. 
653 |a memoir. 
653 |a neoslave narrative. 
653 |a segregation. 
653 |a settler colonialism. 
653 |a sinophobia. 
653 |a slave narrative. 
653 |a speculative fiction. 
653 |a underground railroad. 
653 |a visual culture. 
653 |a “Immigrants (We Get the Job Done)”. 
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