Black Frankenstein : : The Making of an American Metaphor / / Elizabeth Young.

• Superior document: Title is part of eBook package: De Gruyter New York University Press Backlist eBook-Package 2000-2013
• VerfasserIn: Young, Elizabeth,
• Place / Publishing House: New York, NY : : New York University Press, , [2008]; ©2008
• Year of Publication: 2008
• Language: English
• Series: America and the Long 19th Century ; 22
• Physical Description: 1 online resource :; 18 black and white illustrations
• Other title: Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; Introduction --; 1 United States of Frankenstein --; 2 Black Monsters, Dead Metaphors --; 3 The Signifying Monster --; 4 Souls on Ice --; Afterword --; Notes --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781479809608; 9783110706444
• DOI: 10.18574/nyu/9781479809608.001.0001
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Elizabeth Young.

For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans.Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy-and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.