Digital Black Feminism / / Catherine Knight Steele.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English
• VerfasserIn: Steele, Catherine Knight,
• Place / Publishing House: New York, NY : : New York University Press, , [2021]; ©2021
• Year of Publication: 2021
• Language: English
• Series: Critical Cultural Communication
• Physical Description: 1 online resource :; 5 b/w illustrations
• Other title: Frontmatter --; Contents --; Introduction: For the Black Girls Who Don’t Code --; 1. A History of Black Women and Technology, or Badges of Oppression and Positions of Strength --; 2. Black Feminist Technoculture, or the Virtual Beauty Shop --; 3. Principles for a Digital Black Feminism, or Blogging While Black --; 4. Digital Black Feminist Praxis, or Mavis Beacon Teaches Typing --; 5. Digital Black Feminism as a Product, or “It’s Funny How Money Change a Situation” --; Conclusion: A Digital Black Feminist Future --; Acknowledgments --; Notes --; References --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781479808397; 9783110754001; 9783110753776; 9783110754186; 9783110753967; 9783110739107
• DOI: 10.18574/nyu/9781479808373.001.0001
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Catherine Knight Steele.

Traces the longstanding relationship between technology and Black feminist thoughtBlack women are at the forefront of some of this century’s most important discussions about technology: trolling, online harassment, algorithmic bias, and influencer culture. But, Catherine Knight Steele argues that Black women’s relationship to technology began long before the advent of Twitter or Instagram. To truly “listen to Black women,” Steele points to the history of Black feminist technoculture in the United States and its ability to decenter white supremacy and patriarchy in a conversation about the future of technology. Using the virtual beauty shop as a metaphor, Digital Black Feminism walks readers through the technical skill, communicative expertise, and entrepreneurial acumen of Black women’s labor—born of survival strategies and economic necessity—both on and offline.Positioning Black women at the center of our discourse about the past, present, and future of technology, Steele offers a through-line from the writing of early twentieth-century Black women to the bloggers and social media mavens of the twenty-first century. She makes connections among the letters, news articles, and essays of Black feminist writers of the past and a digital archive of blog posts, tweets, and Instagram stories of some of the most well-known Black feminist writers of our time. Linking narratives and existing literature about Black women’s technology use in the nineteenth, twentieth, and twenty-first century, Digital Black Feminism traverses the bounds between historical and archival analysis and empirical internet studies, forcing a reconciliation between fields and methods that are not always in conversation. As the work of Black feminist writers now reaches its widest audience online, Steele offers both hopefulness and caution on the implications of Black feminism becoming a digital product.