Afro-Fabulations : : The Queer Drama of Black Life / / Tavia Nyong'o.

• Superior document: Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2018
• VerfasserIn: Nyong'o, Tavia,
• Place / Publishing House: New York, NY : : New York University Press, , [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Sexual Cultures ; 14
• Physical Description: 1 online resource :; 20 black and white illustrations
• Other title: Frontmatter --; Contents --; List of Illustrations --; Introduction --; 1. Critical Shade --; 2. Crushed Black --; 3. Brer Soul and the Mythic Being --; 4. Deep Time, Dark Time --; 5. Little Monsters --; 6. Fabulous, Formless --; 7. Habeas Ficta --; 8 Chore and Choice --; Conclusion --; Acknowledgments --; Notes --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781479806386; 9783110722741
• DOI: 10.18574/nyu/9781479856275.001.0001
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Tavia Nyong'o.

Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre ResearchArgues for a conception of black cultural life that exceeds post-blackness and conditions of loss In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure.If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.