I'm Not There / / Noah Tsika.
An examination of director Todd Haynes and his Bob Dylan biopic. As the first and only Bob Dylan "biopic," I'm Not There caused a stir when released in 2007. Offering a surreal retelling of moments from Dylan's life and career, the film is perhaps best known for its distinctive a...
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Place / Publishing House: | Austin : : University of Texas Press, , [2023] 2023 |
Year of Publication: | 2023 |
Language: | English |
Series: | 21st Century Film Essentials
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Online Access: | |
Physical Description: | 1 online resource (208 p.) :; 25 b&w photos |
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LEADER | 04002nam a22006255i 4500 | ||
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001 | 9781477328385 | ||
003 | DE-B1597 | ||
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020 | |a 9781477328385 | ||
024 | 7 | |a 10.7560/328378 |2 doi | |
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100 | 1 | |a Tsika, Noah, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a I'm Not There / |c Noah Tsika. |
264 | 1 | |a Austin : |b University of Texas Press, |c [2023] | |
264 | 4 | |c 2023 | |
300 | |a 1 online resource (208 p.) : |b 25 b&w photos | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a 21st Century Film Essentials | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Prologue: Flaming Quotations -- |t Introduction: 21st-Century Bedfellows -- |t Pursuing Opacity -- |t Violators Won't Be Cited -- |t Mock the Documentary -- |t Playing On -- |t Acknowledgments -- |t Notes -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a An examination of director Todd Haynes and his Bob Dylan biopic. As the first and only Bob Dylan "biopic," I'm Not There caused a stir when released in 2007. Offering a surreal retelling of moments from Dylan's life and career, the film is perhaps best known for its distinctive approach to casting, including Cate Blanchett and Marcus Carl Franklin, a Black child actor, as versions of Dylan though none of the characters bear his name. Greenlit by Bob Dylan himself, the film uses Dylan's music as a score, a triumph for famed queer filmmaker Todd Haynes after encountering issues with copyright in previous projects. Noah Tsika eloquently characterizes all the ways that Dylan and Haynes harmonize in their methods and sensibilities, interpreting the rule-breaking film as a biography that refuses chronology, disdains factual accuracy, flirts with libel, and cannibalizes Western cinema. Fitting the film's inspiration, creation, and reception alongside its continuing afterlife, Tsika examines Dylan's music in the film through the context of intellectual property, raising questions about who owns artistic material and artistic identities and how such material can be reused and repurposed. Tsika's adventurous analysis touches on gender, race, queerness, celebrity, popular culture, and the law, while offering much to Haynes and Dylan fans alike. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023) | |
650 | 0 | |a Biographical films |x History and criticism. | |
650 | 0 | |a Motion picture industry |x Law and legislation. | |
650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
653 | |a Todd Haynes, queer film, Bob Dylan, Cate Blanchett, queer cinema, Velvet Goldmine, filmmaking, biographical film, Grain of Sand, independent film, queer filmmakers, indie film, Far from Heaven, Superstar: The Karen Carpenter Story, film analysis, intellectual property, IP, film soundtrack, film music. | ||
856 | 4 | 0 | |u https://doi.org/10.7560/328378 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781477328385 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781477328385/original |
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