Reclaiming the Americas : : Latinx Art and the Politics of Territory /

Reclaiming the Americas : : Latinx Art and the Politics of Territory / / Tatiana Reinoza.

How Latinx artists around the US adopted the medium of printmaking to reclaim the lands of the Americas. Printmakers have conspired, historically, to illustrate the maps created by European colonizers that were used to chart and claim their expanding territories. Over the last three decades, Latinx...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023
VerfasserIn:
Reinoza, Tatiana,
Place / Publishing House:Austin : : University of Texas Press, , [2023]
©2023
Year of Publication:2023
Language:English
Series:Latinx: The Future Is Now
Online Access:
Physical Description:1 online resource (248 p.) :; 29 color illus.
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245 1 0 |a Reclaiming the Americas :  |b Latinx Art and the Politics of Territory /  |c Tatiana Reinoza. 
264 1 |a Austin :   |b University of Texas Press,   |c [2023] 
264 4 |c ©2023 
300 |a 1 online resource (248 p.) :  |b 29 color illus. 
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490 0 |a Latinx: The Future Is Now 
505 0 0 |t Frontmatter --   |t Contents --   |t Illustrations --   |t Introduction --   |t Chapter one Native Territorialities: Ricardo Duff y’s Border Pop and the Indigenous Uncanny --   |t Chapter two Embodied Territorialities: Enrique Chagoya and Alberto Ríos Disrupting the Western Cartographic Gaze --   |t Chapter three Mestiza Territorialities: Sandra Fernández’s Migrant Justice and the Movable Border --   |t Chapter four Aqueous Territorialities: The Dominican York Proyecto Gráfica’s Island Dwellers and Water Boundaries --   |t Conclusion Revolution on Display --   |t Acknowledgments --   |t Appendix Latinx Printmaking Workshops and Collectives in the US --   |t Notes --   |t Bibliography --   |t Index 
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520 |a How Latinx artists around the US adopted the medium of printmaking to reclaim the lands of the Americas. Printmakers have conspired, historically, to illustrate the maps created by European colonizers that were used to chart and claim their expanding territories. Over the last three decades, Latinx artists and print studios have reclaimed this printed art form for their own spatial discourse. This book examines the limited editions produced at four art studios around the US that span everything from sly critiques of Manifest Destiny to printed portraits of Dreamers in Texas. Reclaiming the Americas is the visual history of Latinx printmaking in the US. Tatiana Reinoza employs a pan-ethnic comparative model for this interdisciplinary study of graphic art, drawing on art history, Latinx studies, and geography in her discussions. The book contests printmaking’s historical complicity in the logics of colonization and restores the art form and the lands it once illustrated to the Indigenous, migrant, mestiza/o, and Afro-descendant people of the Americas. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 0 |a Colonies in art. 
650 0 |a Colonization in art. 
650 0 |a Hispanic American printmakers. 
650 0 |a Hispanic American prints  |x Political aspects. 
650 0 |a Hispanic American prints. 
650 0 |a Immigrants in art. 
650 7 |a ART / General.  |2 bisacsh 
653 |a geography, immigration, Latinx art, printmaking, East LA, East Harlem, Chicano art, visual culture, Latinidad, anti-immigrant, Dream Act, Dreamers, cartography, counter-mapping, geopolitics, Dominican identiy, Puerto Rican identity, printmakers, cultural production, latinx graphics. 
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