Mario Barradas and Son Jarocho : : The Journey of a Mexican Regional Music / / Yolanda Broyles-González.

Son Jarocho was born as the regional sound of Veracruz but over time became a Mexican national genre, even transnational, genre—a touchstone of Chicano identity in the United States. Mario Barradas and Son Jarocho traces a musical journey from the Gulf Coast to interior Mexico and across the border,...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
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Place / Publishing House:Austin : : University of Texas Press, , [2022]
©2022
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (208 p.) :; 29 b&w photos, 1 map
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100 1 |a Broyles-González, Yolanda,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Mario Barradas and Son Jarocho :  |b The Journey of a Mexican Regional Music /  |c Yolanda Broyles-González. 
264 1 |a Austin :   |b University of Texas Press,   |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (208 p.) :  |b 29 b&w photos, 1 map 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t CHAPTER 1. Mario Barradas’s Life in Music --   |t CHAPTER 2. Musical Reflections on Mario Barradas and Son Jarocho --   |t CHAPTER 3. Son Jarocho’s Indigenous Expressivity across Geographies --   |t CHAPTER 4. Mario Barradas and Mexican Cinema --   |t Mario Barradas Discography --   |t About the Authors --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Son Jarocho was born as the regional sound of Veracruz but over time became a Mexican national genre, even transnational, genre—a touchstone of Chicano identity in the United States. Mario Barradas and Son Jarocho traces a musical journey from the Gulf Coast to interior Mexico and across the border, describing the transformations of Son Jarocho along the way. This comprehensive cultural study pairs ethnographic and musicological insights with an oral history of the late Mario Barradas, one of Son Jarocho’s preeminent modern musicians. Chicano musician Francisco González offers an insider’s account of Barradas’s influence and Son Jarocho’s musical qualities, while Rafael Figueroa Hernández delves into Barradas’s recordings and films. Yolanda Broyles-González examines the interplay between Son Jarocho’s indigenous roots and contemporary role in Mexican and US society. The result is a nuanced portrait of a vital and evolving musical tradition. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 7 |a SOCIAL SCIENCE / General.  |2 bisacsh 
653 |a Son Jarocho, Mexican music, Mexican music studies, ethnography of Mexican music, Chicano, Chicano music, Chicano music culture, musicology, ethnomusicology, fandango. 
700 1 |a Barradas, Mario,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Broyles-González, Yolanda,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Figueroa Hernández, Rafael,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a González, Francisco,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Hernández, Rafael Figueroa,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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