Black Panther / / Scott Bukatman.

Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
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Place / Publishing House:Austin : : University of Texas Press, , [2022]
©2022
Year of Publication:2022
Language:English
Series:21st Century Film Essentials
Online Access:
Physical Description:1 online resource (256 p.) :; 27 b&w photos
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245 1 0 |a Black Panther /  |c Scott Bukatman. 
264 1 |a Austin :   |b University of Texas Press,   |c [2022] 
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300 |a 1 online resource (256 p.) :  |b 27 b&w photos 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t Introduction: Tell Me A Story --   |t The Road To Wakanda --   |t Black Panther’S Black Body --   |t The Wakandan Dream --   |t The Killmonger Problem --   |t Conclusion: Why Do We Hide? --   |t Appreciations --   |t Notes --   |t Index 
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520 |a Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster. Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a African diaspora in art. 
650 0 |a Afrofuturism. 
650 0 |a Fantasy films  |x Political aspects  |z United States. 
650 0 |a Superheroes, Black. 
650 0 |a Wakanda (Africa : Imaginary place). 
650 0 |a Women, Black, in motion pictures. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
653 |a Afrofuturism, Wakanda, Wakanda Forever, Superheroes, superhero, marvel comic, Marvel Cinematic Universe, Black Film, Black Panther, Chadwick Boseman. 
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