Selling Black Brazil : : Race, Nation, and Visual Culture in Salvador, Bahia / / Anadelia Romo.

In the early twentieth century, Brazil shifted from a nation intent on whitening its population to one billing itself as a racial democracy. Anadelia Romo shows that this shift centered in Salvador, Bahia, where throughout the 1950s, modernist artists and intellectuals forged critical alliances with...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
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Place / Publishing House:Austin : : University of Texas Press, , [2022]
©2022
Year of Publication:2022
Language:English
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Physical Description:1 online resource (348 p.) :; 14 b&w photos, 75 b&w illus., 1 b&w map
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245 1 0 |a Selling Black Brazil :  |b Race, Nation, and Visual Culture in Salvador, Bahia /  |c Anadelia Romo. 
264 1 |a Austin :   |b University of Texas Press,   |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (348 p.) :  |b 14 b&w photos, 75 b&w illus., 1 b&w map 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t Glossary --   |t Introduction: Race, Identity, and Visual Culture in the Americas --   |t CHAPTER 1 Precedents and Backdrops: Racial Types and Modern Ports --   |t CHAPTER 2 Colonial Churches and the Rise of the Quintessential Black City: Modernism, Travel, and the Pathbreaking Guide of Jorge Amado --   |t CHAPTER 3 Pierre Verger and the Construction of a Black Folk, 1946–1951 --   |t CHAPTER 4 Festive Streets: Carybé and Bahian Modernism --   |t CHAPTER 5 “Human and Picturesque”: Consolidation in the Bahian Tourist Guides of the 1950s --   |t CHAPTER 6 All Roads Lead to Black Rome: How the Religion of “Secrets” Became a Tourist Attraction --   |t Epilogue: Reflection and Refraction --   |t Acknowledgments --   |t Appendix --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a In the early twentieth century, Brazil shifted from a nation intent on whitening its population to one billing itself as a racial democracy. Anadelia Romo shows that this shift centered in Salvador, Bahia, where throughout the 1950s, modernist artists and intellectuals forged critical alliances with Afro-Brazilian religious communities of Candomblé to promote their culture and their city. These efforts combined with a growing promotion of tourism to transform what had been one of the busiest slaving depots in the Americas into a popular tourist enclave celebrated for its rich Afro-Brazilian culture. Vibrant illustrations and texts by the likes of Jorge Amado, Pierre Verger, and others contributed to a distinctive iconography of the city, with Afro-Bahians at its center. But these optimistic visions of inclusion, Romo reveals, concealed deep racial inequalities. Illustrating how these visual archetypes laid the foundation for Salvador’s modern racial landscape, this book unveils the ways ethnic and racial populations have been both included and excluded not only in Brazil but in Latin America as a whole. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Black people  |z Brazil  |x Social conditions. 
650 0 |a Blacks  |z Brazil  |x Social conditions. 
650 0 |a City promotion  |z Brazil  |z Salvador  |x History  |y 20th century. 
650 0 |a Culture and tourism  |z Brazil  |z Salvador  |x History  |y 20th century. 
650 0 |a Indigenous peoples  |z Brazil  |x Social conditions. 
650 0 |a National characteristics, Brazilian. 
650 0 |a Tourism and art  |z Brazil  |z Salvador  |x History  |y 20th century  |v Pictorial works. 
650 7 |a HISTORY / General.  |2 bisacsh 
653 |a visual culture, Brazil, race in Brazil, Bahia, Salvador, Bahia, art history, Afro-Brazilian, Brazilian art, Brazilian culture. 
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