Playing with Things : : Engaging the Moche Sex Pots / / Mary Weismantel.

• Superior document: Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2021
• VerfasserIn: Weismantel, Mary,
• Place / Publishing House: Austin : : University of Texas Press, , [2021]; ©2021
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (288 p.) :; 70 b&w photos
• Other title: Frontmatter --; CONTENTS --; Illustrations --; Note to the reader --; Introduction The Moche Sex Pots --; 1. Modern Moche --; 2. Pots Play Jokes --; 3. Pots Make Babies --; 4. Pots Give Power --; 5. Pots Hold Water --; EPILOGUE: ACOLONIAL THINGS --; Acknowledgments --; Notes --; Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781477323229; 9783110745276
• DOI: 10.7560/323205
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Mary Weismantel.

Winner, Association for Latin American Art-Arvey Foundation Book Award, 2022 More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche “sex pots,” as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp. In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as inert objects from a long-dead past but as vibrant Indigenous things, alive in their own inhuman temporality. From a new materialist perspective, she fills the gaps left by other analyses of the sex pots in pre-Columbian studies, where sexuality remains marginalized, and in sexuality studies, where non-Western art is largely absent. Taking a decolonial approach toward an archaeology of sexuality and breaking with long-dominant iconographic traditions, this book explores how the pots "play jokes," "make babies," "give power," and "hold water,” considering the sex pots as actual ceramic bodies that interact with fleshly bodies, now and in the ancient past. A beautifully written study that will be welcomed by students as well as specialists, Playing with Things is a model for archaeological and art historical engagement with the liberating power of queer theory and Indigenous studies.