Tragedy Plus Time : : National Trauma and Television Comedy / / Philip Scepanski.

Following the most solemn moments in recent American history, comedians have tested the limits of how soon is “too soon” to joke about tragedy. Comics confront the horrifying events and shocking moments that capture national attention and probe the acceptable, or “sayable,” boundaries of expression...

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Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2021
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Place / Publishing House:Austin : : University of Texas Press, , [2021]
©2021
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (280 p.)
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100 1 |a Scepanski, Philip,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Tragedy Plus Time :  |b National Trauma and Television Comedy /  |c Philip Scepanski. 
264 1 |a Austin :   |b University of Texas Press,   |c [2021] 
264 4 |c ©2021 
300 |a 1 online resource (280 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction: Broadcast nationalism, national trauma, and television comedy --   |t Chapter 1 The Kennedy assassination and the growth of sick humor on American television --   |t Chapter 2 Censored comedies and comedies of censorship --   |t Chapter 3 Emotional nonconformity in comedy --   |t Chapter 4 Conspiracy theories and comedy --   |t Chapter 5 African American comedies and the 1992 Los Angeles riots --   |t Chapter 6 Television comedy and Islamophobia after 9/11 --   |t Chapter 7 Comedy and Trump as trauma in Narrowcast America --   |t Conclusion --   |t Afterword --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Following the most solemn moments in recent American history, comedians have tested the limits of how soon is “too soon” to joke about tragedy. Comics confront the horrifying events and shocking moments that capture national attention and probe the acceptable, or “sayable,” boundaries of expression that shape our cultural memory. In Tragedy Plus Time, Philip Scepanski examines the role of humor, particularly televised comedy, in constructing and policing group identity and memory in the wake of large-scale events. Tragedy Plus Time is the first comprehensive work to investigate tragedy-driven comedy in the aftermaths of such traumas as the JFK assassination and 9/11, as well as during the administration of Donald Trump. Focusing on the mass publicization of television comedy, Scepanski considers issues of censorship and memory construction in the ways comedians negotiate emotions, politics, war, race, and Islamophobia. Amid the media frenzy and conflicting expressions of grief following a public tragedy, comedians provoke or risk controversy to grapple publicly with national traumas that all Americans are trying to understand for themselves. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a American wit and humor  |x Social aspects. 
650 0 |a Americans  |x Psychology. 
650 0 |a Disasters  |x Humor  |x Social aspects  |z United States. 
650 0 |a Disasters--Humor--Social aspects--United States. 
650 0 |a Psychic trauma  |x Humor  |x Social aspects  |z United States. 
650 0 |a Psychic trauma--Humor--Social aspects--United States. 
650 0 |a Television comedies  |x Social aspects  |z United States. 
650 0 |a Television comedies--Social aspects--United States. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of Texas Press Complete eBook-Package 2021  |z 9783110745276 
856 4 0 |u https://doi.org/10.7560/322543 
856 4 0 |u https://www.degruyter.com/isbn/9781477322550 
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