Graphic Memories of the Civil Rights Movement : : Reframing History in Comics / / Jorge Santos.
The history of America’s civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete hi...
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Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2019 |
Year of Publication: | 2021 |
Language: | English |
Series: | World Comics and Graphic Nonfiction Series
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Physical Description: | 1 online resource (256 p.) |
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Santos, Jorge, author. aut http://id.loc.gov/vocabulary/relators/aut Graphic Memories of the Civil Rights Movement : Reframing History in Comics / Jorge Santos. Austin : University of Texas Press, [2021] ©2019 1 online resource (256 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda World Comics and Graphic Nonfiction Series Frontmatter -- Contents -- Acknowledgments -- Introduction. Graphic Memories in “Black and White” -- Chapter 1. The Icon of the Once and Future King -- Chapter 2. Bleeding Histories on the March -- Chapter 3. On Photo-Graphic Narrative -- Chapter 4. The Silence of Our Friends and Memories of Houston’s Civil Rights History -- Chapter 5. Tropes, Transfer, Trauma -- Epilogue. Cyclops Was Right -- Appendix. A Conversation with Ho Che Anderson, Author-Artist of King -- Notes -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The history of America’s civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this: Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013–2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father’s participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends, by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement. In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos’s interview with Ho Che Anderson. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Civil rights movements in art. Civil rights movements in literature. Civil rights movements United States History In art. Comic books, strips, etc History and criticism. Comic books, strips, etc. History and criticism. Graphic novels History and criticism. LITERARY CRITICISM / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2019 9783110745290 https://doi.org/10.7560/318263 https://www.degruyter.com/isbn/9781477318287 Cover https://www.degruyter.com/document/cover/isbn/9781477318287/original |
language |
English |
format |
eBook |
author |
Santos, Jorge, Santos, Jorge, |
spellingShingle |
Santos, Jorge, Santos, Jorge, Graphic Memories of the Civil Rights Movement : Reframing History in Comics / World Comics and Graphic Nonfiction Series Frontmatter -- Contents -- Acknowledgments -- Introduction. Graphic Memories in “Black and White” -- Chapter 1. The Icon of the Once and Future King -- Chapter 2. Bleeding Histories on the March -- Chapter 3. On Photo-Graphic Narrative -- Chapter 4. The Silence of Our Friends and Memories of Houston’s Civil Rights History -- Chapter 5. Tropes, Transfer, Trauma -- Epilogue. Cyclops Was Right -- Appendix. A Conversation with Ho Che Anderson, Author-Artist of King -- Notes -- Works Cited -- Index |
author_facet |
Santos, Jorge, Santos, Jorge, |
author_variant |
j s js j s js |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Santos, Jorge, |
title |
Graphic Memories of the Civil Rights Movement : Reframing History in Comics / |
title_sub |
Reframing History in Comics / |
title_full |
Graphic Memories of the Civil Rights Movement : Reframing History in Comics / Jorge Santos. |
title_fullStr |
Graphic Memories of the Civil Rights Movement : Reframing History in Comics / Jorge Santos. |
title_full_unstemmed |
Graphic Memories of the Civil Rights Movement : Reframing History in Comics / Jorge Santos. |
title_auth |
Graphic Memories of the Civil Rights Movement : Reframing History in Comics / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction. Graphic Memories in “Black and White” -- Chapter 1. The Icon of the Once and Future King -- Chapter 2. Bleeding Histories on the March -- Chapter 3. On Photo-Graphic Narrative -- Chapter 4. The Silence of Our Friends and Memories of Houston’s Civil Rights History -- Chapter 5. Tropes, Transfer, Trauma -- Epilogue. Cyclops Was Right -- Appendix. A Conversation with Ho Che Anderson, Author-Artist of King -- Notes -- Works Cited -- Index |
title_new |
Graphic Memories of the Civil Rights Movement : |
title_sort |
graphic memories of the civil rights movement : reframing history in comics / |
series |
World Comics and Graphic Nonfiction Series |
series2 |
World Comics and Graphic Nonfiction Series |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (256 p.) |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction. Graphic Memories in “Black and White” -- Chapter 1. The Icon of the Once and Future King -- Chapter 2. Bleeding Histories on the March -- Chapter 3. On Photo-Graphic Narrative -- Chapter 4. The Silence of Our Friends and Memories of Houston’s Civil Rights History -- Chapter 5. Tropes, Transfer, Trauma -- Epilogue. Cyclops Was Right -- Appendix. A Conversation with Ho Che Anderson, Author-Artist of King -- Notes -- Works Cited -- Index |
isbn |
9781477318287 9783110745290 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN6714 |
callnumber-sort |
PN 46714 S26 42019 |
geographic_facet |
United States |
url |
https://doi.org/10.7560/318263 https://www.degruyter.com/isbn/9781477318287 https://www.degruyter.com/document/cover/isbn/9781477318287/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
740 - Drawing & decorative arts |
dewey-ones |
741 - Drawing & drawings |
dewey-full |
741.5/3587392 |
dewey-sort |
3741.5 73587392 |
dewey-raw |
741.5/3587392 |
dewey-search |
741.5/3587392 |
doi_str_mv |
10.7560/318263 |
oclc_num |
1269268976 |
work_keys_str_mv |
AT santosjorge graphicmemoriesofthecivilrightsmovementreframinghistoryincomics |
status_str |
n |
ids_txt_mv |
(DE-B1597)586649 (OCoLC)1269268976 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2019 |
is_hierarchy_title |
Graphic Memories of the Civil Rights Movement : Reframing History in Comics / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2019 |
_version_ |
1770176982591471616 |
fullrecord |
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