Animated Personalities : : Cartoon Characters and Stardom in American Theatrical Shorts / / David McGowan.

• Superior document: Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2019
• VerfasserIn: McGowan, David,
• Place / Publishing House: Austin : : University of Texas Press, , [2021]; ©2019
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (326 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction --; SECTION I Stages of Theatrical Stardom --; Chapter 1 Silent Animation and the Development of the Star System --; Chapter 2 Stars and Scandal in the 1930s --; Chapter 3 The Second World War --; SECTION II Conceptualizing Theatrical Animated Stardom --; Chapter 4 The Comedian Comedy --; Chapter 5 Authorship --; Chapter 6 The Studio System --; SECTION III Post-Theatrical Stardom --; Chapter 7 The Animated Television Star --; Chapter 8 The Death of the Animated Star? --; Notes --; Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781477317457; 9783110745290
• DOI: 10.7560/317433
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: David McGowan.

Mickey Mouse, Betty Boop, Donald Duck, Bugs Bunny, Felix the Cat, and other beloved cartoon characters have entertained media audiences for almost a century, outliving the human stars who were once their contemporaries in studio-era Hollywood. In Animated Personalities, David McGowan asserts that iconic American theatrical short cartoon characters should be legitimately regarded as stars, equal to their live-action counterparts, not only because they have enjoyed long careers, but also because their star personas have been created and marketed in ways also used for cinematic celebrities. Drawing on detailed archival research, McGowan analyzes how Hollywood studios constructed and manipulated the star personas of the animated characters they owned. He shows how cartoon actors frequently kept pace with their human counterparts, granting “interviews,” allowing “candid” photographs, endorsing products, and generally behaving as actual actors did—for example, Donald Duck served his country during World War II, and Mickey Mouse was even embroiled in scandal. Challenging the notion that studios needed actors with physical bodies and real off-screen lives to create stars, McGowan demonstrates that media texts have successfully articulated an off-screen existence for animated characters. Following cartoon stars from silent movies to contemporary film and television, this groundbreaking book broadens the scope of star studies to include animation, concluding with provocative questions about the nature of stardom in an age of digitally enhanced filmmaking technologies.