A Spy in the House of Loud : : New York Songs and Stories / / Chris Stamey.

Popular music was in a creative upheaval in the late 1970s. As the singer-songwriter and producer Chris Stamey remembers, “the old guard had become bloated, cartoonish, and widely co-opted by a search for maximum corporate profits, and we wanted none of it.” In A Spy in the House of Loud, he takes u...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2018
VerfasserIn:
Place / Publishing House:Austin : : University of Texas Press, , [2021]
©2018
Year of Publication:2021
Language:English
Series:American Music Series
Online Access:
Physical Description:1 online resource (277 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 05029nam a22006855i 4500
001 9781477316238
003 DE-B1597
005 20220426115627.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220426t20212018txu fo d z eng d
010 |a 2017055297 
020 |a 9781477316238 
024 7 |a 10.7560/316221  |2 doi 
035 |a (DE-B1597)588661 
035 |a (OCoLC)1269268284 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a txu  |c US-TX 
050 0 0 |a ML420.S81127  |b A3 2018 
050 4 |a ML420.S81127  |b A3 2018 
072 7 |a MUS000000  |2 bisacsh 
082 0 4 |a 781.66092  |a B  |2 23 
100 1 |a Stamey, Chris,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 2 |a A Spy in the House of Loud :  |b New York Songs and Stories /  |c Chris Stamey. 
264 1 |a Austin :   |b University of Texas Press,   |c [2021] 
264 4 |c ©2018 
300 |a 1 online resource (277 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a American Music Series 
505 0 0 |t Frontmatter --   |t Contents --   |t Preface The Story behind the Painting --   |t 1 Don’t Stop to Think --   |t 2 I Love the Sound of the Traffic --   |t 3 In Our Wildest Dreams --   |t 4 Have You Seen the Last Elite? --   |t 5 The More You Learn, the Less You Know --   |t 6 Pavement Slapping My Feet --   |t 7 Eyes Submerge Your Face --   |t 8 Caress and Spite --   |t 9 I Loved You, and You Did, Too --   |t 10 Exhilaration; or, Gorging a Neuronic Aperture --   |t 11 Just Like Yesterday --   |t 12 Who Will Baudelaire? --   |t 13 Cut It Hot, Cut It Up, Cut It Clean, Cut It Slow --   |t 14 Your Ballerina Curls --   |t 15 She Took the Soda Pop --   |t 16 Wine in Plastic Cups --   |t 17 The Distance That Surrounds Us --   |t 18 The Air Is Full of Air --   |t 19 Like a Party Balloon on the Strand --   |t 20 Never a Time --   |t 21 Anyone Who Had to Laugh --   |t 22 The Whole World’s Dirt --   |t 23 Newspapers Collect on the Street --   |t 24 I Want to Break Your Heart --   |t 25 All Around You Now the Stars Are Falling Down --   |t Afterword --   |t Acknowledgments --   |t Appendix A Listener’s Guide --   |t Notes --   |t Selected Discography 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Popular music was in a creative upheaval in the late 1970s. As the singer-songwriter and producer Chris Stamey remembers, “the old guard had become bloated, cartoonish, and widely co-opted by a search for maximum corporate profits, and we wanted none of it.” In A Spy in the House of Loud, he takes us back to the auteur explosion happening in New York clubs such as the Bowery’s CBGB as Television, Talking Heads, R.E.M., and other innovative bands were rewriting the rules. Just twenty-two years old and newly arrived from North Carolina, Stamey immersed himself in the action, playing a year with Alex Chilton before forming the dB’s and recording the albums Stands for deciBels and Repercussion, which still have an enthusiastic following. A Spy in the House of Loud vividly captures the energy that drove the music scene as arena rock gave way to punk and other new streams of electric music. Stamey tells engrossing backstories about creating in the recording studio, describing both the inspiration and the harmonic decisions behind many of his compositions, as well as providing insights into other people’s music and the process of songwriting. Photos, mixer-channel and track assignment notes, and other inside-the-studio materials illustrate the stories. Revealing another side of the CBGB era, which has been stereotyped as punk rock, safety pins, and provocation, A Spy in the House of Loud portrays a southern artist’s coming-of-age in New York’s frontier abandon as he searches for new ways to break the rules and make some noise. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) 
650 0 |a Rock musicians  |z New York (State)  |z New York  |v Biography. 
650 7 |a MUSIC / General.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of Texas Press Complete eBook-Package 2018  |z 9783110745306 
856 4 0 |u https://doi.org/10.7560/316221 
856 4 0 |u https://www.degruyter.com/isbn/9781477316238 
856 4 2 |3 Cover  |u https://www.degruyter.com/document/cover/isbn/9781477316238/original 
912 |a 978-3-11-074530-6 University of Texas Press Complete eBook-Package 2018  |b 2018 
912 |a EBA_BACKALL 
912 |a EBA_CL_MUAR 
912 |a EBA_EBACKALL 
912 |a EBA_EBKALL 
912 |a EBA_ECL_MUAR 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a GBV-deGruyter-alles 
912 |a PDA11SSHE 
912 |a PDA13ENGE 
912 |a PDA17SSHEE 
912 |a PDA5EBK