Cineaste on Film Criticism, Programming, and Preservation in the New Millennium / / ed. by Rahul Hamid, Cynthia Lucia.
Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been elimi...
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Editors’ Introduction
- Part I. Film Criticism in the New Millennium
- 1. Film Criticism in America Today: A Critical Symposium
- 2. International Film Criticism Today: A Critical Symposium
- 3. Film Criticism in the Age of the Internet: A Critical Symposium
- 4. Film Criticism: The Next Generation: A Critical Symposium
- 5. “I Still Love Going to Movies”: An Interview with Pauline Kael
- 6. Cult Films, Commentary Tracks, and Censorious Critics: An Interview with John Bloom
- Part II. The Art of Repertory Film Exhibition and Digital-Age Challenges
- 7. Repertory Film Programming: A Critical Symposium
- 8. Utopian Festivals and Cinephilic Dreams: An Interview with Peter von Bagh
- 9. The (Cinematic) Gospel According to Mark: An Interview with Mark Cousins
- Part III. Film Preservation in the Digital Age
- 10. Film Preservation in the Digital Age: A Critical Symposium
- 11. MOD Man: An Interview with George Feltenstein
- Notes on the Editors
- Index
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