Tropical Travels : : Brazilian Popular Performance, Transnational Encounters, and the Construction of Race / / Lisa Shaw.

• Superior document: Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2018
• VerfasserIn: Shaw, Lisa,
• Place / Publishing House: Austin : : University of Texas Press, , [2021]; ©2018
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (233 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction --; Chapter 1. Afro-Brazilian Performance on Rio de Janeiro’s Popular Stages from the 1880s to the Long 1920s --; Chapter 2. The Rio de Janeiro–Paris Performance Axis in the First Decades of the Twentieth Century: Duque, the Oito Batutas, and the Question of “Race” --; Chapter 3. The Teatro de Revista in Rio de Janeiro in the Long 1920s: Transnational Dialogues and Cosmopolitan Black Performance --; Chapter 4. The Cultural Migrations of the Stage and Screen Baiana, 1889–1950s --; Conclusion --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781477312803; 9783110745306
• DOI: 10.7560/312780
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Lisa Shaw.

Brazilian popular culture, including music, dance, theater, and film, played a key role in transnational performance circuits—inter-American and transatlantic—from the latter nineteenth century to the middle of the twentieth century. Brazilian performers both drew inspiration from and provided models for cultural production in France, Portugal, Argentina, the United States, and elsewhere. These transnational exchanges also helped construct new ideas about, and representations of, “racial” identity in Brazil. Tropical Travels fruitfully examines how perceptions of “race” were negotiated within popular performance in Rio de Janeiro and how these issues engaged with wider transnational trends during the period. Lisa Shaw analyzes how local cultural forms were shaped by contact with imported performance traditions and transnational vogues in Brazil, as well as by the movement of Brazilian performers overseas. She focuses specifically on samba and the maxixe in Paris between 1910 and 1922, teatro de revista (the Brazilian equivalent of vaudeville) in Rio in the long 1920s, and a popular Brazilian female archetype, the baiana, who moved to and fro across national borders and oceans. Shaw demonstrates that these transnational encounters generated redefinitions of Brazilian identity through the performance of “race” and ethnicity in popular culture. Shifting the traditional focus of Atlantic studies from the northern to the southern hemisphere, Tropical Travels also contributes to a fuller understanding of inter-hemispheric cultural influences within the Americas.