The Mobility of Modernism : : Art and Criticism in 1920s Latin America / / Harper Montgomery.
Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and...
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| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2017 |
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| Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2017 |
| Year of Publication: | 2021 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (344 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- ONE Circulation: Latin American Art in Amauta
- TWO Relocation: Carlos Mérida Moves to Mexico City
- THREE Homecoming Emilio Pettoruti and Xul Solar Return to Buenos Aires
- FOUR Dissemination Woodcuts Reproduce Artistic Labor
- FIVE Reproduction Norah Borges Draws Modern Femininity
- SIX Pedagogy Mexican Children’s Art Becomes Revolutionary
- Conclusion
- Notes
- Bibliography
- Index