Madonnaland : : And Other Detours into Fame and Fandom / / Alina Simone.

When Alina Simone agreed to write a book about Madonna, she thought it might provide an interesting excuse to indulge her own eighties nostalgia. Wrong. What Simone discovered instead was a tidal wave of already published information about Madonna—and her own ambivalence about, maybe even jealousy o...

Full description

Saved in:
Bibliographic Details
VerfasserIn:
Place / Publishing House:Austin : : University of Texas Press, , [2021]
©2016
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9781477308905
lccn 2015028441
ctrlnum (DE-B1597)588235
collection bib_alma
record_format marc
spelling Simone, Alina, author. aut http://id.loc.gov/vocabulary/relators/aut
Madonnaland : And Other Detours into Fame and Fandom / Alina Simone.
Austin : University of Texas Press, [2021]
©2016
1 online resource
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- ONE. Conspiracy in Bay City, or, Why is Madonna’s birthplace the last place in America where she is actively controversial? -- TWO. Seeking Refuge from ’80s Rock, or, Was Madonna actually an outsider artist? -- THREE. Magical Contagion, or, What happens to Madonna’s lonely mountain of stuff after she dies? -- FOUR. Madonna Misconstrued, or, Getting the hell into Michigan -- FIVE. Mystery of the Mondegreen, or, Who was the first band to smuggle the word “masturbate” onto the Billboard top 100? -- SIX. Flying Wedge, or, Could a band with three fans be (another) missing link between hard rock and punk? -- Epilogue -- Thanks
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
When Alina Simone agreed to write a book about Madonna, she thought it might provide an interesting excuse to indulge her own eighties nostalgia. Wrong. What Simone discovered instead was a tidal wave of already published information about Madonna—and her own ambivalence about, maybe even jealousy of, the Material Girl’s overwhelming commercial success. With the straight-ahead course stymied, Simone set off on a quirky detour through the backroads of celebrity and fandom and the people who love or loathe Madonna. In this witty, sometimes acerbic, always perceptive chronicle, Simone begins by trying to understand why Madonna’s birthplace, Bay City, Michigan, won’t even put up a sign to celebrate its most famous citizen, and ends by asking why local bands who make music that’s authentic and true can disappear with barely a trace. In between, she ranges from Madonna fans who cover themselves with tattoos of the singer’s face and try to make fortunes off selling her used bustiers and dresses, to Question Mark and the Mysterians—one-hit wonders best known for “96 Tears”—and Flying Wedge, a Detroit band that dropped off an amazing two-track record in the office of CREEM magazine in 1972 and vanished, until Simone tracked it down. Filled with fresh insights about the music business, fandom, and what it takes to become a superstar, Madonnaland is as much a book for people who, like Simone, prefer “dark rooms, coffee, and state-subsidized European films filled with existential despair” as it is for people who can’t get enough of Madonna.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)
Madonna, 1958-.
Singers United States Biography.
SOCIAL SCIENCE / Popular Culture. bisacsh
https://doi.org/10.7560/759466
https://www.degruyter.com/isbn/9781477308905
Cover https://www.degruyter.com/document/cover/isbn/9781477308905/original
language English
format eBook
author Simone, Alina,
Simone, Alina,
spellingShingle Simone, Alina,
Simone, Alina,
Madonnaland : And Other Detours into Fame and Fandom /
Frontmatter --
Contents --
ONE. Conspiracy in Bay City, or, Why is Madonna’s birthplace the last place in America where she is actively controversial? --
TWO. Seeking Refuge from ’80s Rock, or, Was Madonna actually an outsider artist? --
THREE. Magical Contagion, or, What happens to Madonna’s lonely mountain of stuff after she dies? --
FOUR. Madonna Misconstrued, or, Getting the hell into Michigan --
FIVE. Mystery of the Mondegreen, or, Who was the first band to smuggle the word “masturbate” onto the Billboard top 100? --
SIX. Flying Wedge, or, Could a band with three fans be (another) missing link between hard rock and punk? --
Epilogue --
Thanks
author_facet Simone, Alina,
Simone, Alina,
author_variant a s as
a s as
author_role VerfasserIn
VerfasserIn
author_sort Simone, Alina,
title Madonnaland : And Other Detours into Fame and Fandom /
title_sub And Other Detours into Fame and Fandom /
title_full Madonnaland : And Other Detours into Fame and Fandom / Alina Simone.
title_fullStr Madonnaland : And Other Detours into Fame and Fandom / Alina Simone.
title_full_unstemmed Madonnaland : And Other Detours into Fame and Fandom / Alina Simone.
title_auth Madonnaland : And Other Detours into Fame and Fandom /
title_alt Frontmatter --
Contents --
ONE. Conspiracy in Bay City, or, Why is Madonna’s birthplace the last place in America where she is actively controversial? --
TWO. Seeking Refuge from ’80s Rock, or, Was Madonna actually an outsider artist? --
THREE. Magical Contagion, or, What happens to Madonna’s lonely mountain of stuff after she dies? --
FOUR. Madonna Misconstrued, or, Getting the hell into Michigan --
FIVE. Mystery of the Mondegreen, or, Who was the first band to smuggle the word “masturbate” onto the Billboard top 100? --
SIX. Flying Wedge, or, Could a band with three fans be (another) missing link between hard rock and punk? --
Epilogue --
Thanks
title_new Madonnaland :
title_sort madonnaland : and other detours into fame and fandom /
publisher University of Texas Press,
publishDate 2021
physical 1 online resource
contents Frontmatter --
Contents --
ONE. Conspiracy in Bay City, or, Why is Madonna’s birthplace the last place in America where she is actively controversial? --
TWO. Seeking Refuge from ’80s Rock, or, Was Madonna actually an outsider artist? --
THREE. Magical Contagion, or, What happens to Madonna’s lonely mountain of stuff after she dies? --
FOUR. Madonna Misconstrued, or, Getting the hell into Michigan --
FIVE. Mystery of the Mondegreen, or, Who was the first band to smuggle the word “masturbate” onto the Billboard top 100? --
SIX. Flying Wedge, or, Could a band with three fans be (another) missing link between hard rock and punk? --
Epilogue --
Thanks
isbn 9781477308905
callnumber-first M - Music
callnumber-subject ML - Literature on Music
callnumber-label ML420
callnumber-sort ML 3420 M1387 S46 42016
genre_facet Biography.
geographic_facet United States
url https://doi.org/10.7560/759466
https://www.degruyter.com/isbn/9781477308905
https://www.degruyter.com/document/cover/isbn/9781477308905/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 780 - Music
dewey-ones 782 - Vocal music
dewey-full 782.42166092
dewey-sort 3782.42166092
dewey-raw 782.42166092
dewey-search 782.42166092
doi_str_mv 10.7560/759466
work_keys_str_mv AT simonealina madonnalandandotherdetoursintofameandfandom
status_str n
ids_txt_mv (DE-B1597)588235
carrierType_str_mv cr
is_hierarchy_title Madonnaland : And Other Detours into Fame and Fandom /
_version_ 1806143836935684096
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04384nam a22006495i 4500</leader><controlfield tag="001">9781477308905</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20211027022714.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">211027t20212016txu fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2015028441</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781477308905</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/759466</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)588235</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">txu</subfield><subfield code="c">US-TX</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">ML420.M1387</subfield><subfield code="b">S46 2016</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML420.M1387</subfield><subfield code="b">S46 2016</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC022000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">782.42166092</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Simone, Alina, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Madonnaland :</subfield><subfield code="b">And Other Detours into Fame and Fandom /</subfield><subfield code="c">Alina Simone.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin : </subfield><subfield code="b">University of Texas Press, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">ONE. Conspiracy in Bay City, or, Why is Madonna’s birthplace the last place in America where she is actively controversial? -- </subfield><subfield code="t">TWO. Seeking Refuge from ’80s Rock, or, Was Madonna actually an outsider artist? -- </subfield><subfield code="t">THREE. Magical Contagion, or, What happens to Madonna’s lonely mountain of stuff after she dies? -- </subfield><subfield code="t">FOUR. Madonna Misconstrued, or, Getting the hell into Michigan -- </subfield><subfield code="t">FIVE. Mystery of the Mondegreen, or, Who was the first band to smuggle the word “masturbate” onto the Billboard top 100? -- </subfield><subfield code="t">SIX. Flying Wedge, or, Could a band with three fans be (another) missing link between hard rock and punk? -- </subfield><subfield code="t">Epilogue -- </subfield><subfield code="t">Thanks</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">When Alina Simone agreed to write a book about Madonna, she thought it might provide an interesting excuse to indulge her own eighties nostalgia. Wrong. What Simone discovered instead was a tidal wave of already published information about Madonna—and her own ambivalence about, maybe even jealousy of, the Material Girl’s overwhelming commercial success. With the straight-ahead course stymied, Simone set off on a quirky detour through the backroads of celebrity and fandom and the people who love or loathe Madonna. In this witty, sometimes acerbic, always perceptive chronicle, Simone begins by trying to understand why Madonna’s birthplace, Bay City, Michigan, won’t even put up a sign to celebrate its most famous citizen, and ends by asking why local bands who make music that’s authentic and true can disappear with barely a trace. In between, she ranges from Madonna fans who cover themselves with tattoos of the singer’s face and try to make fortunes off selling her used bustiers and dresses, to Question Mark and the Mysterians—one-hit wonders best known for “96 Tears”—and Flying Wedge, a Detroit band that dropped off an amazing two-track record in the office of CREEM magazine in 1972 and vanished, until Simone tracked it down. Filled with fresh insights about the music business, fandom, and what it takes to become a superstar, Madonnaland is as much a book for people who, like Simone, prefer “dark rooms, coffee, and state-subsidized European films filled with existential despair” as it is for people who can’t get enough of Madonna.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Madonna, 1958-.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Singers</subfield><subfield code="z">United States</subfield><subfield code="v">Biography.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Popular Culture.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7560/759466</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781477308905</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781477308905/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_SN</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_SN</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>