The Classical Mexican Cinema : : The Poetics of the Exceptional Golden Age Films / / Charles Ramírez Berg.
From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejecte...
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Superior document: | Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
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Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2015 |
Year of Publication: | 2021 |
Language: | English |
Series: | Texas Film and Media Studies Series
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Online Access: | |
Physical Description: | 1 online resource (254 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Chapter 1. Introduction: Retheorizing Mexican Film History
- Chapter 2. Every Picture Tells a Story: José Guadalupe Posada’s Protocinematic Graphic Art
- Chapter 3. Enrique Rosas’s El automóvil gris (1919) and the Dawning of Modern Mexican Cinema
- Chapter 4. The Adoption of the Hollywood Style and the Transition to Sound
- Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s
- Chapter 6. The Cinematic Invention of Mexico: The Poetics and Politics of the Fernández Unit Style
- Chapter 7. Luis Buñuel in Mexico
- Chapter 8. Three Classical Mexican Cinema Genre Films
- Chapter 9. Conclusion: What Happened to the Classical Mexican Cinema?
- Notes
- Index