Cuban Underground Hip Hop : : Black Thoughts, Black Revolution, Black Modernity / / Tanya L. Saunders.
In the wake of the 1959 Cuban Revolution, a key state ideology developed: racism was a systemic cultural issue that ceased to exist after the Revolution, and any racism that did persist was a result of contained cases of individual prejudice perpetuated by US influence. Even after the state official...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2015 |
| Year of Publication: | 2021 |
| Language: | English |
| Series: | Latin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation
|
| Online Access: | |
| Physical Description: | 1 online resource (368 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- 1. Introduction
- 2. Historicizing Race, Cultural Politics, and Critical Music Cultures in Cuba
- 3. La Revolución dentro de la Revolución/ The Revolution within the Revolution
- 4. Whiteness, Mulat@ness, Blackness
- 5. “Never Has Anyone Spoken to You Like This”
- 6. “I’m a Feminist, But I Don’t Hate Men”
- 7. Kruda Knowledge, Kruda Discourse
- 8. Conclusion
- Notes
- Bibliography
- Index