Portable Borders : : Performance Art and Politics on the U.S. Frontera since 1984 / / Ila Nicole Sheren.
After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a politi...
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Superior document: | Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
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Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2015 |
Year of Publication: | 2021 |
Language: | English |
Series: | Latin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation
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Physical Description: | 1 online resource (183 p.) |
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Sheren, Ila Nicole, author. aut http://id.loc.gov/vocabulary/relators/aut Portable Borders : Performance Art and Politics on the U.S. Frontera since 1984 / Ila Nicole Sheren. Austin : University of Texas Press, [2021] ©2015 1 online resource (183 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Latin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1: The Conceptual Border -- Chapter 2: The Portable Border -- Chapter 3: Re-inscribing the Border -- Chapter 4: Post-Border? -- Epilogue -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century. Particularly in the world of visual art, borders have come to represent a space of performance rather than a geographical boundary, a cultural terrain meant to be negotiated rather than a physical line. From 1980 forward, Sheren argues, the border became portable through performance and conceptual work. This dematerialization of the physical border after the 1980s worked in two opposite directions—the movement of border thinking to the rest of the world, as well as the importation of ideas to the border itself. Beginning with site-specific conceptual artwork of the 1980s, particularly the performances of the Border Art Workshop/Taller de Arte Fronterizo, Sheren shows how these works reconfigured the border as an active site. Sheren moves on to examine artists such as Guillermo Gómez-Peña, Coco Fusco, and Marcos Ramirez “ERRE.” Although Sheren places emphasis on the Chicano movement and its art production, this groundbreaking book suggests possibilities for the expansion of the concept of portability to contemporary art projects beyond the region. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Art Political aspects Mexican-American Border Region History 20th century. Art Political aspects Mexican-American Border Region History 21st century. Boundaries in art. Performance art Mexican-American Border Region 20th century. Performance art Mexican-American Border Region 21st century. ART / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 9783110745337 https://doi.org/10.7560/302262 https://www.degruyter.com/isbn/9781477302279 Cover https://www.degruyter.com/document/cover/isbn/9781477302279/original |
language |
English |
format |
eBook |
author |
Sheren, Ila Nicole, Sheren, Ila Nicole, |
spellingShingle |
Sheren, Ila Nicole, Sheren, Ila Nicole, Portable Borders : Performance Art and Politics on the U.S. Frontera since 1984 / Latin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1: The Conceptual Border -- Chapter 2: The Portable Border -- Chapter 3: Re-inscribing the Border -- Chapter 4: Post-Border? -- Epilogue -- Notes -- Bibliography -- Index |
author_facet |
Sheren, Ila Nicole, Sheren, Ila Nicole, |
author_variant |
i n s in ins i n s in ins |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Sheren, Ila Nicole, |
title |
Portable Borders : Performance Art and Politics on the U.S. Frontera since 1984 / |
title_sub |
Performance Art and Politics on the U.S. Frontera since 1984 / |
title_full |
Portable Borders : Performance Art and Politics on the U.S. Frontera since 1984 / Ila Nicole Sheren. |
title_fullStr |
Portable Borders : Performance Art and Politics on the U.S. Frontera since 1984 / Ila Nicole Sheren. |
title_full_unstemmed |
Portable Borders : Performance Art and Politics on the U.S. Frontera since 1984 / Ila Nicole Sheren. |
title_auth |
Portable Borders : Performance Art and Politics on the U.S. Frontera since 1984 / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1: The Conceptual Border -- Chapter 2: The Portable Border -- Chapter 3: Re-inscribing the Border -- Chapter 4: Post-Border? -- Epilogue -- Notes -- Bibliography -- Index |
title_new |
Portable Borders : |
title_sort |
portable borders : performance art and politics on the u.s. frontera since 1984 / |
series |
Latin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation |
series2 |
Latin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (183 p.) |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1: The Conceptual Border -- Chapter 2: The Portable Border -- Chapter 3: Re-inscribing the Border -- Chapter 4: Post-Border? -- Epilogue -- Notes -- Bibliography -- Index |
isbn |
9781477302279 9783110745337 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N8217 |
callnumber-sort |
N 48217 B63 S54 42015 |
geographic_facet |
Mexican-American Border Region |
era_facet |
20th century. 21st century. |
url |
https://doi.org/10.7560/302262 https://www.degruyter.com/isbn/9781477302279 https://www.degruyter.com/document/cover/isbn/9781477302279/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
709 - Historical, geographic & persons treatment |
dewey-full |
709.7 |
dewey-sort |
3709.7 |
dewey-raw |
709.7 |
dewey-search |
709.7 |
doi_str_mv |
10.7560/302262 |
oclc_num |
1286808819 |
work_keys_str_mv |
AT sherenilanicole portablebordersperformanceartandpoliticsontheusfronterasince1984 |
status_str |
n |
ids_txt_mv |
(DE-B1597)588201 (OCoLC)1286808819 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Portable Borders : Performance Art and Politics on the U.S. Frontera since 1984 / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
_version_ |
1806143816879570944 |
fullrecord |
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