Networked David Lynch : : Critical Perspectives on Cinematic Transmediality /

Networked David Lynch : : Critical Perspectives on Cinematic Transmediality / / ed. by Marcel Hartwig.

The first multi-disciplinary reconsideration of Lynch’s œuvreOffers multi-disciplinary approaches to transmedialityProvides new readings of David Lynch’s open œuvreExplores new methods and approaches in film studies, e.g. videographic criticismNetworked David Lynch is a multi-disciplinary reconsider...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023
MitwirkendeR:
Bakkan, Chris Aarnes,
Greene, Liz,
Hartwig, Marcel,
Hassler-Forest, Dan,
Müller, Jannik,
Niedermüller, Peter,
Outzen, Mads,
Rauscher, Andreas,
Schlösser, Lioba,
Stiglegger, Marcus,
Strank, Willem,
Verevis, Constantine,
Zywietz, Bernd,
HerausgeberIn:
Hartwig, Marcel,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2023]
©2023
Year of Publication:2023
Language:English
Online Access:
Physical Description:1 online resource (256 p.) :; 13 B/W illustrations 1 B/W tables 13 B&W images and 1 table
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Table of Contents:
  • Frontmatter
  • Contents
  • Figures
  • Notes on Contributors
  • Introduction: Entering Lynchtown
  • Part I Approaching Intertexts
  • CHAPTER 1 Visits Paid to the ‘Imaginary Museum of Musical Works’: David Lynch and the Musical Canon
  • CHAPTER 2 Turn and Face the Strange: Changing Faces in the Cinema of Lynch
  • Part II Twin Peaks as Transmedia Network
  • CHAPTER 3 Singing the Body Electric: Myth and Electricity as Both Sides of a Metaphorical Coin in Twin Peaks: The Return
  • CHAPTER 4 The W/hole David Lynch: Twin Peaks: Fire Walk with Me
  • CHAPTER 5 ‘Is it future or is it past?’ Visual Effects in Twin Peaks: The Return
  • CHAPTER 6 That Gum You Like Isn’t Going to Come Back in Style: Twin Peaks 1990–1/2017, Nostalgia and the End of (Golden Age) Television
  • CHAPTER 7 ‘Two Birds, One Stone’: Transmedia Storytelling in Twin Peaks
  • CHAPTER 8 The World Spins: Transmedia Detours and Cinematic Configurations around Twin Peaks
  • Part III David Lynch’s Transmedia Aesthetics
  • CHAPTER 9 Tracing the Lost Highway: Mythical Topography in David Lynch’s Los Angeles Trilogy
  • CHAPTER 10 Structures of Female Desire, Control and Withdrawal in Lynch’s Cinematic Work
  • CHAPTER 11 Room to Meme: ‘David Lynch’ as Problematic and Self-evident Aesthetic Object in Digital Memes
  • Part IV Videographic Criticism of David Lynch’s Cinematic Work
  • CHAPTER 12 Researching Audiovisually: Experiments in Videographic Criticism in David Lynch’s The Elephant Man and Blue Velvet
  • CHAPTER 13 A Form that Keeps Unravelling: On David Lynch, Spontaneity and Organic Fluidity in Videographic Essay Production and Academia
  • Conclusion: Leaving Lynchtown
  • Index

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