Taiwan New Cinema at Film Festivals / / Beth Tsai.
Revisits Taiwan New Cinema in relation to film festivals from cultural, historical, and geopolitical standpointsLook at the productive roles women have played as discursive mediators of the cultural imaginary of the nation, the auteur, and the art of slow cinemaOffers accounts of the film festival’s...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2023] ©2023 |
| Year of Publication: | 2023 |
| Language: | English |
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| Physical Description: | 1 online resource (192 p.) :; 27 B/W illustrations 27 B&W images |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- Introduction
- Part I Historicising Taiwan New Cinema
- CHAPTER 1 The Rise of Taiwan New Cinema and the Festival Strategy
- CHAPTER 2 Women Critics and Building the Auteur
- Part II Filmmakers in Focus
- CHAPTER 3 Going East: Women Walk the City in Hou Hsiao-hsien’s Le Voyage du ballon rouge (2007) and Café Lumière (2003)
- CHAPTER 4 Going West: Tsai Ming-liang at the Louvre and Cinema in the Gallery
- CHAPTER 5 A Southbound Turn: Dreaming Taiwan in Midi Z’s Realist Films
- CHAPTER 6 To the Future: Film Festivals as Producers and Sleeping in the Cinema
- Postscript: An American Girl in Taiwan
- Bibliography
- Index