Faces on Screen : : New Approaches / / ed. by Alice Maurice.

Examines the face on screen from a variety of critical and historical perspectivesRe-thinks the face on screen by highlighting new work that forges connections between early, classic, and contemporary face issuesAddresses topical and contemporary issues while also offering an historicised look at th...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2022
Year of Publication:2022
Language:English
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Physical Description:1 online resource (352 p.) :; 51 B/W illustrations
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spelling Faces on Screen : New Approaches / ed. by Alice Maurice.
Edinburgh : Edinburgh University Press, [2022]
©2022
1 online resource (352 p.) : 51 B/W illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Figures -- Acknowledgements -- Notes on Contributors -- Introduction: Facing Forward, Facing Back -- Part I. The Sum of Its Parts: Features, Codes, Practices -- 1. The Generic Face: Galton, Muybridge and the Photographic Proof of Race -- 2. Mad Faces: Coding Features and Expressions of Female Madness in Physiognomy Texts, Asylum Photographs and Early Cinema -- 3. Elastics of the Film Mouth -- 4. The Problem of Recognition: Celebrity Faces, Photogénie and Facial Recognition Technologies -- 5. Emptied Faces: In Search of an Algorithmic Punctum -- Part II. Reframing the Close-up -- 6. ‘A Landscape of Faces’: The Farewell and Ecologies of the Face in Independent Asian-American Film -- 7. The New Transactional Face: Rethinking Post-cinematic Aesthetics through The Neon Demon -- 8. Black Faces Matter: Close-ups in Selma, Fruitvale Station and Moonlight -- 9. ‘Sheer Epidermis’: ‘Face Politics’ and the Films of Lynne Ramsay -- 10. Facing Life in the Open: The (Post)humanist Worldmaking of My Octopus Teacher -- 11. Bête Noir(e): Animality, Genre and the Face in Border -- 12. Hejab as Frame in Ten and Beyond -- Part III. Making Faces : Celebrity, Performance, Self -- 13. The Faces of Ginger: Beauty Makeup, Facial Acting and Hollywood Stardom -- 14. At Face Value: Consuming the Star Image -- 15. The Face Is the Lie that Tells the Truth: Renée Zellweger  and the Mediated Politics of Age, Self and Celebrity -- 16. Mediating the Human in Facial Performance Capture -- 17. Becoming a Woman: The Many Faces of Candice Breitz -- 18. The Face as Technology -- 19. From Holy Grail to Deepfake: The Evolving Digital Face on Screen -- References -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Examines the face on screen from a variety of critical and historical perspectivesRe-thinks the face on screen by highlighting new work that forges connections between early, classic, and contemporary face issuesAddresses topical and contemporary issues while also offering an historicised look at the roots of our current, ever-multiplying entanglements with the face on screenIncludes work on mainstream cinema as well as on documentary, avant-garde cinema, video art, gaming, software, photography, and other visual technologiesBrings together authors working across genres and traditions, joining scholars and topics that do not normally appear in the same venuesUses case studies including The Big Swallow, Minamata: The Victims and Their World, The Neon Demon, Fruitvale Station and AvatarWhether we consider the digitally created and manipulated faces of Hollywood cinema or the social media filters, face apps, and surveillance software of everyday life, reading face language has become the seemingly endless task of humans and machines alike. Recent facial controversies – from politicians in blackface to deep fakes," casting debates, and facial data collection-- have made clear the need for a broader understanding of the face on screen and its varied techniques and effects. This book will consider the screen face from a variety of perspectives, across time periods and media, bringing together essays on topics ranging from early cinema to contemporary digital media – from photogénie to facial recognition, celebrity culture to digital creatures. It explores how screen culture builds on and complicates our urge to search the face for answers to our most intractable questions."
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
Face in mass media.
Face in motion pictures.
Face on television.
Film, Media & Cultural Studies.
PERFORMING ARTS / Film & Video / Direction & Production. bisacsh
Allison, Tanine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Banerjee, Koel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Bode, Lisa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Cortez, Iggy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Dinnen, Zara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Fenner, Angelica, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Gunn, Jenny, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Gyenge, Andrea, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Hristova, Stefka, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Konzett, Delia Malia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Maurice, Alice, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Maurice, Alice, editor. edt http://id.loc.gov/vocabulary/relators/edt
McBean, Sam, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
McLean, Adrienne L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Parlett, Hannah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Quigley, Paula, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Saljoughi, Sara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Singer, Elyse, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Tucker, Aaron, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Weber, Brenda R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Yue, Genevieve, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 9783110992809 ZDB-23-DPK
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English 9783110992816
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 9783110780390
https://doi.org/10.1515/9781474493802
https://www.degruyter.com/isbn/9781474493802
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language English
format eBook
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Allison, Tanine,
Banerjee, Koel,
Banerjee, Koel,
Bode, Lisa,
Bode, Lisa,
Cortez, Iggy,
Cortez, Iggy,
Dinnen, Zara,
Dinnen, Zara,
Fenner, Angelica,
Fenner, Angelica,
Gunn, Jenny,
Gunn, Jenny,
Gyenge, Andrea,
Gyenge, Andrea,
Hristova, Stefka,
Hristova, Stefka,
Konzett, Delia Malia,
Konzett, Delia Malia,
Maurice, Alice,
Maurice, Alice,
Maurice, Alice,
Maurice, Alice,
McBean, Sam,
McBean, Sam,
McLean, Adrienne L.,
McLean, Adrienne L.,
Parlett, Hannah,
Parlett, Hannah,
Quigley, Paula,
Quigley, Paula,
Saljoughi, Sara,
Saljoughi, Sara,
Singer, Elyse,
Singer, Elyse,
Tucker, Aaron,
Tucker, Aaron,
Weber, Brenda R.,
Weber, Brenda R.,
Yue, Genevieve,
Yue, Genevieve,
author_facet Allison, Tanine,
Allison, Tanine,
Banerjee, Koel,
Banerjee, Koel,
Bode, Lisa,
Bode, Lisa,
Cortez, Iggy,
Cortez, Iggy,
Dinnen, Zara,
Dinnen, Zara,
Fenner, Angelica,
Fenner, Angelica,
Gunn, Jenny,
Gunn, Jenny,
Gyenge, Andrea,
Gyenge, Andrea,
Hristova, Stefka,
Hristova, Stefka,
Konzett, Delia Malia,
Konzett, Delia Malia,
Maurice, Alice,
Maurice, Alice,
Maurice, Alice,
Maurice, Alice,
McBean, Sam,
McBean, Sam,
McLean, Adrienne L.,
McLean, Adrienne L.,
Parlett, Hannah,
Parlett, Hannah,
Quigley, Paula,
Quigley, Paula,
Saljoughi, Sara,
Saljoughi, Sara,
Singer, Elyse,
Singer, Elyse,
Tucker, Aaron,
Tucker, Aaron,
Weber, Brenda R.,
Weber, Brenda R.,
Yue, Genevieve,
Yue, Genevieve,
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author_sort Allison, Tanine,
title Faces on Screen : New Approaches /
spellingShingle Faces on Screen : New Approaches /
Frontmatter --
Contents --
Figures --
Acknowledgements --
Notes on Contributors --
Introduction: Facing Forward, Facing Back --
Part I. The Sum of Its Parts: Features, Codes, Practices --
1. The Generic Face: Galton, Muybridge and the Photographic Proof of Race --
2. Mad Faces: Coding Features and Expressions of Female Madness in Physiognomy Texts, Asylum Photographs and Early Cinema --
3. Elastics of the Film Mouth --
4. The Problem of Recognition: Celebrity Faces, Photogénie and Facial Recognition Technologies --
5. Emptied Faces: In Search of an Algorithmic Punctum --
Part II. Reframing the Close-up --
6. ‘A Landscape of Faces’: The Farewell and Ecologies of the Face in Independent Asian-American Film --
7. The New Transactional Face: Rethinking Post-cinematic Aesthetics through The Neon Demon --
8. Black Faces Matter: Close-ups in Selma, Fruitvale Station and Moonlight --
9. ‘Sheer Epidermis’: ‘Face Politics’ and the Films of Lynne Ramsay --
10. Facing Life in the Open: The (Post)humanist Worldmaking of My Octopus Teacher --
11. Bête Noir(e): Animality, Genre and the Face in Border --
12. Hejab as Frame in Ten and Beyond --
Part III. Making Faces : Celebrity, Performance, Self --
13. The Faces of Ginger: Beauty Makeup, Facial Acting and Hollywood Stardom --
14. At Face Value: Consuming the Star Image --
15. The Face Is the Lie that Tells the Truth: Renée Zellweger  and the Mediated Politics of Age, Self and Celebrity --
16. Mediating the Human in Facial Performance Capture --
17. Becoming a Woman: The Many Faces of Candice Breitz --
18. The Face as Technology --
19. From Holy Grail to Deepfake: The Evolving Digital Face on Screen --
References --
Index
title_sub New Approaches /
title_full Faces on Screen : New Approaches / ed. by Alice Maurice.
title_fullStr Faces on Screen : New Approaches / ed. by Alice Maurice.
title_full_unstemmed Faces on Screen : New Approaches / ed. by Alice Maurice.
title_auth Faces on Screen : New Approaches /
title_alt Frontmatter --
Contents --
Figures --
Acknowledgements --
Notes on Contributors --
Introduction: Facing Forward, Facing Back --
Part I. The Sum of Its Parts: Features, Codes, Practices --
1. The Generic Face: Galton, Muybridge and the Photographic Proof of Race --
2. Mad Faces: Coding Features and Expressions of Female Madness in Physiognomy Texts, Asylum Photographs and Early Cinema --
3. Elastics of the Film Mouth --
4. The Problem of Recognition: Celebrity Faces, Photogénie and Facial Recognition Technologies --
5. Emptied Faces: In Search of an Algorithmic Punctum --
Part II. Reframing the Close-up --
6. ‘A Landscape of Faces’: The Farewell and Ecologies of the Face in Independent Asian-American Film --
7. The New Transactional Face: Rethinking Post-cinematic Aesthetics through The Neon Demon --
8. Black Faces Matter: Close-ups in Selma, Fruitvale Station and Moonlight --
9. ‘Sheer Epidermis’: ‘Face Politics’ and the Films of Lynne Ramsay --
10. Facing Life in the Open: The (Post)humanist Worldmaking of My Octopus Teacher --
11. Bête Noir(e): Animality, Genre and the Face in Border --
12. Hejab as Frame in Ten and Beyond --
Part III. Making Faces : Celebrity, Performance, Self --
13. The Faces of Ginger: Beauty Makeup, Facial Acting and Hollywood Stardom --
14. At Face Value: Consuming the Star Image --
15. The Face Is the Lie that Tells the Truth: Renée Zellweger  and the Mediated Politics of Age, Self and Celebrity --
16. Mediating the Human in Facial Performance Capture --
17. Becoming a Woman: The Many Faces of Candice Breitz --
18. The Face as Technology --
19. From Holy Grail to Deepfake: The Evolving Digital Face on Screen --
References --
Index
title_new Faces on Screen :
title_sort faces on screen : new approaches /
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (352 p.) : 51 B/W illustrations
contents Frontmatter --
Contents --
Figures --
Acknowledgements --
Notes on Contributors --
Introduction: Facing Forward, Facing Back --
Part I. The Sum of Its Parts: Features, Codes, Practices --
1. The Generic Face: Galton, Muybridge and the Photographic Proof of Race --
2. Mad Faces: Coding Features and Expressions of Female Madness in Physiognomy Texts, Asylum Photographs and Early Cinema --
3. Elastics of the Film Mouth --
4. The Problem of Recognition: Celebrity Faces, Photogénie and Facial Recognition Technologies --
5. Emptied Faces: In Search of an Algorithmic Punctum --
Part II. Reframing the Close-up --
6. ‘A Landscape of Faces’: The Farewell and Ecologies of the Face in Independent Asian-American Film --
7. The New Transactional Face: Rethinking Post-cinematic Aesthetics through The Neon Demon --
8. Black Faces Matter: Close-ups in Selma, Fruitvale Station and Moonlight --
9. ‘Sheer Epidermis’: ‘Face Politics’ and the Films of Lynne Ramsay --
10. Facing Life in the Open: The (Post)humanist Worldmaking of My Octopus Teacher --
11. Bête Noir(e): Animality, Genre and the Face in Border --
12. Hejab as Frame in Ten and Beyond --
Part III. Making Faces : Celebrity, Performance, Self --
13. The Faces of Ginger: Beauty Makeup, Facial Acting and Hollywood Stardom --
14. At Face Value: Consuming the Star Image --
15. The Face Is the Lie that Tells the Truth: Renée Zellweger  and the Mediated Politics of Age, Self and Celebrity --
16. Mediating the Human in Facial Performance Capture --
17. Becoming a Woman: The Many Faces of Candice Breitz --
18. The Face as Technology --
19. From Holy Grail to Deepfake: The Evolving Digital Face on Screen --
References --
Index
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illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.4302
dewey-sort 3791.4302
dewey-raw 791.4302
dewey-search 791.4302
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From Holy Grail to Deepfake: The Evolving Digital Face on Screen -- </subfield><subfield code="t">References -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Examines the face on screen from a variety of critical and historical perspectivesRe-thinks the face on screen by highlighting new work that forges connections between early, classic, and contemporary face issuesAddresses topical and contemporary issues while also offering an historicised look at the roots of our current, ever-multiplying entanglements with the face on screenIncludes work on mainstream cinema as well as on documentary, avant-garde cinema, video art, gaming, software, photography, and other visual technologiesBrings together authors working across genres and traditions, joining scholars and topics that do not normally appear in the same venuesUses case studies including The Big Swallow, Minamata: The Victims and Their World, The Neon Demon, Fruitvale Station and AvatarWhether we consider the digitally created and manipulated faces of Hollywood cinema or the social media filters, face apps, and surveillance software of everyday life, reading face language has become the seemingly endless task of humans and machines alike. Recent facial controversies – from politicians in blackface to deep fakes," casting debates, and facial data collection-- have made clear the need for a broader understanding of the face on screen and its varied techniques and effects. This book will consider the screen face from a variety of perspectives, across time periods and media, bringing together essays on topics ranging from early cinema to contemporary digital media – from photogénie to facial recognition, celebrity culture to digital creatures. It explores how screen culture builds on and complicates our urge to search the face for answers to our most intractable questions."</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Face in mass media.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Face in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Face on television.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media &amp; Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film &amp; Video / Direction &amp; Production.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Allison, Tanine, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Banerjee, Koel, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bode, Lisa, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cortez, Iggy, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Dinnen, Zara, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fenner, Angelica, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gunn, Jenny, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gyenge, Andrea, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hristova, Stefka, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Konzett, Delia Malia, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Maurice, Alice, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Maurice, Alice, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">McBean, Sam, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">McLean, Adrienne L., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Parlett, Hannah, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Quigley, Paula, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Saljoughi, Sara, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Singer, Elyse, </subfield><subfield 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