Hazarding All : : Shakespeare and the Drama of Consciousness / / Sanford Budick.
Demonstrates how theatre and theatricalisation serve as the indispensable means for creating a kind of consciousness that exits as an unmediated encounter with actualityShows the pervasiveness of Shakespeare’s chiasmus of theatricalisation: the back-and-forth, and forth-and-back, movements between r...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2021 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Edinburgh Critical Studies in Shakespeare and Philosophy : ECSSP
|
| Online Access: | |
| Physical Description: | 1 online resource (192 p.) :; 2 B/W illustrations |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGEMENTS
- SERIES EDITOR’S PREFACE
- CHAPTER 1 TERMS OF DISCUSSION
- CHAPTER 2 ‘CONVERSION’ OF THE ‘NOTHING’ BY THE INSTRUMENTALITY OF THE MERCHANT OF VENICE
- CHAPTER 3 TOWARDS AN ESCAPE FROM THEATRICALISATION: HAMLET AND AS YOU LIKE IT
- CHAPTER 4 THE SECOND EPOCHÉ OF OTHELLO AND THE MERCHANT OF VENICE
- CHAPTER 5 INTENTIONALITY TOWARD BEING: BLESSING IN KING LEAR AND THE WINTER’S TALE
- RETROSPECT
- BIBLIOGRAPHY
- INDEX