Reanimating Shakespeare’s Othello in Post-Racial America / / Vanessa Corredera.
Traces the history of Othello’s contemporary citations, adaptations, and appropriations across genresCreates an archive of twenty-first century appropriations of Othello, many primary works not yet addressed by scholarship or considered in regards to Othello, such as Get Out, Kill Shakespeare, Seria...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2022 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (360 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Permissions
- Introduction
- Chapter 1 Images of Objectification: Othello as Prop in Kill Shakespeare
- Chapter 2 Colorblindness on the Post-Racial Stage: Hip hop, Comedy, and Cultural Appropriation in Othello: The Remix
- Chapter 3 Othello, Race, and Serial: The Ethics of a Shakespearean Cameo
- Chapter 4 “No tools with which to hear”: Adaptive Re-Vision, Audience Education, and American Moor
- Chapter 5 At the Intersection of Gender, Race, and White Privilege: A Case of Three Desdemona Plays
- Chapter 6 Resisting Lobotomized Shakespeare: Whiteness and Universality in Key & Peele and Get Out
- Epilogue
- Bibliography
- Index