The Edinburgh Companion to Romanticism and the Arts / / ed. by Maureen McCue.
The only volume to comprehensively bring together developments from different disciplines that address the complex interplay between British Romantic literature and the visual artsIt covers a wide range of intermedial cultural productions, from popular to elite, and from the public to the domestic s...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2023 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Companions to Literature and the Humanities
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Physical Description: | 1 online resource (560 p.) :; 142 B/W illustrations 54 colour illustrations 142 black & white and 54 colour illustrations |
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The Edinburgh Companion to Romanticism and the Arts / ed. by Maureen McCue. Edinburgh : Edinburgh University Press, [2022] ©2023 1 online resource (560 p.) : 142 B/W illustrations 54 colour illustrations 142 black & white and 54 colour illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I Perspectives -- 1 ‘The happiest vehicles of antiquarian knowledge’: The Visual Arts and Romantic Antiquarianism -- 2 The Gothic Aesthetic: Word and Image -- 3 Aesthetic Landscapes: Travel and Tourism -- 4 Visualising the Indigenous Pacific -- 5 Elite and Popular Orientalisms -- Part II Exhibition, Commerce and Culture -- 6 Collecting and the Country House, 1750–1840 -- 7 Public Improvement as ‘National Ornament’: Commerce, Culture and Patriotism in London and Edinburgh -- 8 Commemoration, Domestic Display and the Decorative Arts: Romantic Nelsonia -- 9 Building(s) for Art: The Evolution of Public Art Galleries in England, 1780–1840 -- 10 Exhibitions Culture, Consumerism and the Romantic Artist -- 11 Portraiture: Commerce and Celebrity -- 12 Convergence and Dissonance: Romantic Theatre and the Visual Arts -- 13 Sound and Vision in Blake’s London -- 14 Taken By Storm: Multisensory Learning in the Lecture Room -- 15 Romanticism, ‘Real’ Illusions and the Transformation of Experience in Modernity -- Part III Circulations: Print Culture and the Arts -- 16 Romantic Art and the Novel -- 17 Mired in Print: Romantic Writers and Caricature -- 18 ‘A Point to Aim at in a Morning’s Walk’: Encounters at the Print Shop -- 19 Illustrated Poetry in the Romantic Period -- 20 Fashioning the Female Artist: Allegory and Celebrity in Lady Diana Beauclerk’s Watercolours of The Faerie Queene -- 21 Angelica Kauffman and the Sister Arts -- 22 Illustrated Magazines and Periodicals: Visual Genres and Gendered Aspirations -- Part IV Romanticism Reimagined, the 1830s and Beyond -- 23 Album Culture: Begging for Scraps -- 24 Nineteenth-Century Illustrated Poetry: Mise-en-Page and the Visual Rhythms of Seriality -- 25 Romantic Caricatures and Comics -- 26 Cultural Manifestations of Romanticism on the Contemporary Screen -- 27 Looking Back Through Fashion: Regency Romances and a ‘Jumble of Styles’ -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The only volume to comprehensively bring together developments from different disciplines that address the complex interplay between British Romantic literature and the visual artsIt covers a wide range of intermedial cultural productions, from popular to elite, and from the public to the domestic sphere, including literary texts, paintings and prints, literary galleries, exhibition catalogues, illustrated magazines, household objects and designAll the essays in this volume are newly commissioned and include cutting edge research from an interdisciplinary group of writers, literary scholars, art historians, and exhibition curatorsIt brings together work of emerging as well as established scholars in the field, from Europe, North America and Australia, reflecting the global significance of this growing fieldFrom the birth of the museum to the explosion of mass-produced illustrated books, the Romantic period (c. 1770-1840) was a moment of rapid change and fruitful experimentation in the fields of art and literature alike. New advances in print production encouraged a wider range of readers to engage with literary forms that opened a path into the once aristocratic field of the visual arts. This Companion captures the way recent engagements with visual studies have reshaped how we approach and understand the boundaries between print and visual culture in the period. It brings together 27 research-led chapters that offer a detailed account of the productive, if sometimes tense, interactions between emergent forms of intermedial expression that were redefining culture in the Romantic period -- as they continue to do today. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) Art and literature. Arts, Modern 18th century. Romanticism in art. Romanticism. Literary Studies. LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. bisacsh Avery-Quash, Susanna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Batchelor, Jennie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Boehm, Katharina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Boyce, Charlotte, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Brylowe, Thora, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Chapman, Alison, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Constantine, Mary-Ann, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Coutu, Joan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Davidson, Hilary, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Engel, Laura, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Funnell, Peter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Garner, Katie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Grande, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Haywood, Ian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Heydt-Stevenson, Jillian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Matthews, Samantha, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Matthews, Susan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McCue, Maureen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McCue, Maureen, editor. edt http://id.loc.gov/vocabulary/relators/edt McPherson, Heather, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Myrone, Martin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Otto, Peter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb O’Byrne, Alison, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Shachar, Hila, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Thomas, Sophie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Watt, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Whittaker, Jason, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wills, Kacie L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zimmerman, Sarah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English 9783110993752 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 9783110993738 ZDB-23-DKU Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2023 9783110797640 print 9781474484176 https://doi.org/10.1515/9781474484183 https://www.degruyter.com/isbn/9781474484183 Cover https://www.degruyter.com/document/cover/isbn/9781474484183/original |
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Avery-Quash, Susanna, Avery-Quash, Susanna, Batchelor, Jennie, Batchelor, Jennie, Boehm, Katharina, Boehm, Katharina, Boyce, Charlotte, Boyce, Charlotte, Brylowe, Thora, Brylowe, Thora, Chapman, Alison, Chapman, Alison, Constantine, Mary-Ann, Constantine, Mary-Ann, Coutu, Joan, Coutu, Joan, Davidson, Hilary, Davidson, Hilary, Engel, Laura, Engel, Laura, Funnell, Peter, Funnell, Peter, Garner, Katie, Garner, Katie, Grande, James, Grande, James, Haywood, Ian, Haywood, Ian, Heydt-Stevenson, Jillian, Heydt-Stevenson, Jillian, Matthews, Samantha, Matthews, Samantha, Matthews, Susan, Matthews, Susan, McCue, Maureen, McCue, Maureen, McCue, Maureen, McCue, Maureen, McPherson, Heather, McPherson, Heather, Myrone, Martin, Myrone, Martin, Otto, Peter, Otto, Peter, O’Byrne, Alison, O’Byrne, Alison, Shachar, Hila, Shachar, Hila, Thomas, Sophie, Thomas, Sophie, Watt, James, Watt, James, Whittaker, Jason, Whittaker, Jason, Wills, Kacie L., Wills, Kacie L., Zimmerman, Sarah, Zimmerman, Sarah, |
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Avery-Quash, Susanna, |
title |
The Edinburgh Companion to Romanticism and the Arts / |
spellingShingle |
The Edinburgh Companion to Romanticism and the Arts / Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I Perspectives -- 1 ‘The happiest vehicles of antiquarian knowledge’: The Visual Arts and Romantic Antiquarianism -- 2 The Gothic Aesthetic: Word and Image -- 3 Aesthetic Landscapes: Travel and Tourism -- 4 Visualising the Indigenous Pacific -- 5 Elite and Popular Orientalisms -- Part II Exhibition, Commerce and Culture -- 6 Collecting and the Country House, 1750–1840 -- 7 Public Improvement as ‘National Ornament’: Commerce, Culture and Patriotism in London and Edinburgh -- 8 Commemoration, Domestic Display and the Decorative Arts: Romantic Nelsonia -- 9 Building(s) for Art: The Evolution of Public Art Galleries in England, 1780–1840 -- 10 Exhibitions Culture, Consumerism and the Romantic Artist -- 11 Portraiture: Commerce and Celebrity -- 12 Convergence and Dissonance: Romantic Theatre and the Visual Arts -- 13 Sound and Vision in Blake’s London -- 14 Taken By Storm: Multisensory Learning in the Lecture Room -- 15 Romanticism, ‘Real’ Illusions and the Transformation of Experience in Modernity -- Part III Circulations: Print Culture and the Arts -- 16 Romantic Art and the Novel -- 17 Mired in Print: Romantic Writers and Caricature -- 18 ‘A Point to Aim at in a Morning’s Walk’: Encounters at the Print Shop -- 19 Illustrated Poetry in the Romantic Period -- 20 Fashioning the Female Artist: Allegory and Celebrity in Lady Diana Beauclerk’s Watercolours of The Faerie Queene -- 21 Angelica Kauffman and the Sister Arts -- 22 Illustrated Magazines and Periodicals: Visual Genres and Gendered Aspirations -- Part IV Romanticism Reimagined, the 1830s and Beyond -- 23 Album Culture: Begging for Scraps -- 24 Nineteenth-Century Illustrated Poetry: Mise-en-Page and the Visual Rhythms of Seriality -- 25 Romantic Caricatures and Comics -- 26 Cultural Manifestations of Romanticism on the Contemporary Screen -- 27 Looking Back Through Fashion: Regency Romances and a ‘Jumble of Styles’ -- Notes on Contributors -- Index |
title_full |
The Edinburgh Companion to Romanticism and the Arts / ed. by Maureen McCue. |
title_fullStr |
The Edinburgh Companion to Romanticism and the Arts / ed. by Maureen McCue. |
title_full_unstemmed |
The Edinburgh Companion to Romanticism and the Arts / ed. by Maureen McCue. |
title_auth |
The Edinburgh Companion to Romanticism and the Arts / |
title_alt |
Frontmatter -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I Perspectives -- 1 ‘The happiest vehicles of antiquarian knowledge’: The Visual Arts and Romantic Antiquarianism -- 2 The Gothic Aesthetic: Word and Image -- 3 Aesthetic Landscapes: Travel and Tourism -- 4 Visualising the Indigenous Pacific -- 5 Elite and Popular Orientalisms -- Part II Exhibition, Commerce and Culture -- 6 Collecting and the Country House, 1750–1840 -- 7 Public Improvement as ‘National Ornament’: Commerce, Culture and Patriotism in London and Edinburgh -- 8 Commemoration, Domestic Display and the Decorative Arts: Romantic Nelsonia -- 9 Building(s) for Art: The Evolution of Public Art Galleries in England, 1780–1840 -- 10 Exhibitions Culture, Consumerism and the Romantic Artist -- 11 Portraiture: Commerce and Celebrity -- 12 Convergence and Dissonance: Romantic Theatre and the Visual Arts -- 13 Sound and Vision in Blake’s London -- 14 Taken By Storm: Multisensory Learning in the Lecture Room -- 15 Romanticism, ‘Real’ Illusions and the Transformation of Experience in Modernity -- Part III Circulations: Print Culture and the Arts -- 16 Romantic Art and the Novel -- 17 Mired in Print: Romantic Writers and Caricature -- 18 ‘A Point to Aim at in a Morning’s Walk’: Encounters at the Print Shop -- 19 Illustrated Poetry in the Romantic Period -- 20 Fashioning the Female Artist: Allegory and Celebrity in Lady Diana Beauclerk’s Watercolours of The Faerie Queene -- 21 Angelica Kauffman and the Sister Arts -- 22 Illustrated Magazines and Periodicals: Visual Genres and Gendered Aspirations -- Part IV Romanticism Reimagined, the 1830s and Beyond -- 23 Album Culture: Begging for Scraps -- 24 Nineteenth-Century Illustrated Poetry: Mise-en-Page and the Visual Rhythms of Seriality -- 25 Romantic Caricatures and Comics -- 26 Cultural Manifestations of Romanticism on the Contemporary Screen -- 27 Looking Back Through Fashion: Regency Romances and a ‘Jumble of Styles’ -- Notes on Contributors -- Index |
title_new |
The Edinburgh Companion to Romanticism and the Arts / |
title_sort |
the edinburgh companion to romanticism and the arts / |
series |
Edinburgh Companions to Literature and the Humanities |
series2 |
Edinburgh Companions to Literature and the Humanities |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (560 p.) : 142 B/W illustrations 54 colour illustrations 142 black & white and 54 colour illustrations |
contents |
Frontmatter -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I Perspectives -- 1 ‘The happiest vehicles of antiquarian knowledge’: The Visual Arts and Romantic Antiquarianism -- 2 The Gothic Aesthetic: Word and Image -- 3 Aesthetic Landscapes: Travel and Tourism -- 4 Visualising the Indigenous Pacific -- 5 Elite and Popular Orientalisms -- Part II Exhibition, Commerce and Culture -- 6 Collecting and the Country House, 1750–1840 -- 7 Public Improvement as ‘National Ornament’: Commerce, Culture and Patriotism in London and Edinburgh -- 8 Commemoration, Domestic Display and the Decorative Arts: Romantic Nelsonia -- 9 Building(s) for Art: The Evolution of Public Art Galleries in England, 1780–1840 -- 10 Exhibitions Culture, Consumerism and the Romantic Artist -- 11 Portraiture: Commerce and Celebrity -- 12 Convergence and Dissonance: Romantic Theatre and the Visual Arts -- 13 Sound and Vision in Blake’s London -- 14 Taken By Storm: Multisensory Learning in the Lecture Room -- 15 Romanticism, ‘Real’ Illusions and the Transformation of Experience in Modernity -- Part III Circulations: Print Culture and the Arts -- 16 Romantic Art and the Novel -- 17 Mired in Print: Romantic Writers and Caricature -- 18 ‘A Point to Aim at in a Morning’s Walk’: Encounters at the Print Shop -- 19 Illustrated Poetry in the Romantic Period -- 20 Fashioning the Female Artist: Allegory and Celebrity in Lady Diana Beauclerk’s Watercolours of The Faerie Queene -- 21 Angelica Kauffman and the Sister Arts -- 22 Illustrated Magazines and Periodicals: Visual Genres and Gendered Aspirations -- Part IV Romanticism Reimagined, the 1830s and Beyond -- 23 Album Culture: Begging for Scraps -- 24 Nineteenth-Century Illustrated Poetry: Mise-en-Page and the Visual Rhythms of Seriality -- 25 Romantic Caricatures and Comics -- 26 Cultural Manifestations of Romanticism on the Contemporary Screen -- 27 Looking Back Through Fashion: Regency Romances and a ‘Jumble of Styles’ -- Notes on Contributors -- Index |
isbn |
9781474484183 9783110993899 9783110994810 9783110993752 9783110993738 9783110797640 9781474484176 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NX - Arts in General |
callnumber-label |
NX452 |
callnumber-sort |
NX 3452.5 R64 |
era_facet |
18th century. |
url |
https://doi.org/10.1515/9781474484183 https://www.degruyter.com/isbn/9781474484183 https://www.degruyter.com/document/cover/isbn/9781474484183/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
809 - History, description & criticism |
dewey-full |
809.9145 |
dewey-sort |
3809.9145 |
dewey-raw |
809.9145 |
dewey-search |
809.9145 |
doi_str_mv |
10.1515/9781474484183 |
oclc_num |
1356995136 |
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code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh Companions to Literature and the Humanities</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Illustrations -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Part I Perspectives -- </subfield><subfield code="t">1 ‘The happiest vehicles of antiquarian knowledge’: The Visual Arts and Romantic Antiquarianism -- </subfield><subfield code="t">2 The Gothic Aesthetic: Word and Image -- </subfield><subfield code="t">3 Aesthetic Landscapes: Travel and Tourism -- </subfield><subfield code="t">4 Visualising the Indigenous Pacific -- </subfield><subfield code="t">5 Elite and Popular Orientalisms -- </subfield><subfield code="t">Part II Exhibition, Commerce and Culture -- </subfield><subfield code="t">6 Collecting and the Country House, 1750–1840 -- </subfield><subfield code="t">7 Public Improvement as ‘National Ornament’: Commerce, Culture and Patriotism in London and Edinburgh -- </subfield><subfield code="t">8 Commemoration, Domestic Display and the Decorative Arts: Romantic Nelsonia -- </subfield><subfield code="t">9 Building(s) for Art: The Evolution of Public Art Galleries in England, 1780–1840 -- </subfield><subfield code="t">10 Exhibitions Culture, Consumerism and the Romantic Artist -- </subfield><subfield code="t">11 Portraiture: Commerce and Celebrity -- </subfield><subfield code="t">12 Convergence and Dissonance: Romantic Theatre and the Visual Arts -- </subfield><subfield code="t">13 Sound and Vision in Blake’s London -- </subfield><subfield code="t">14 Taken By Storm: Multisensory Learning in the Lecture Room -- </subfield><subfield code="t">15 Romanticism, ‘Real’ Illusions and the Transformation of Experience in Modernity -- </subfield><subfield code="t">Part III Circulations: Print Culture and the Arts -- </subfield><subfield code="t">16 Romantic Art and the Novel -- </subfield><subfield code="t">17 Mired in Print: Romantic Writers and Caricature -- </subfield><subfield code="t">18 ‘A Point to Aim at in a Morning’s Walk’: Encounters at the Print Shop -- </subfield><subfield code="t">19 Illustrated Poetry in the Romantic Period -- </subfield><subfield code="t">20 Fashioning the Female Artist: Allegory and Celebrity in Lady Diana Beauclerk’s Watercolours of The Faerie Queene -- </subfield><subfield code="t">21 Angelica Kauffman and the Sister Arts -- </subfield><subfield code="t">22 Illustrated Magazines and Periodicals: Visual Genres and Gendered Aspirations -- </subfield><subfield code="t">Part IV Romanticism Reimagined, the 1830s and Beyond -- </subfield><subfield code="t">23 Album Culture: Begging for Scraps -- </subfield><subfield code="t">24 Nineteenth-Century Illustrated Poetry: Mise-en-Page and the Visual Rhythms of Seriality -- </subfield><subfield code="t">25 Romantic Caricatures and Comics -- </subfield><subfield code="t">26 Cultural Manifestations of Romanticism on the Contemporary Screen -- </subfield><subfield code="t">27 Looking Back Through Fashion: Regency Romances and a ‘Jumble of Styles’ -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The only volume to comprehensively bring together developments from different disciplines that address the complex interplay between British Romantic literature and the visual artsIt covers a wide range of intermedial cultural productions, from popular to elite, and from the public to the domestic sphere, including literary texts, paintings and prints, literary galleries, exhibition catalogues, illustrated magazines, household objects and designAll the essays in this volume are newly commissioned and include cutting edge research from an interdisciplinary group of writers, literary scholars, art historians, and exhibition curatorsIt brings together work of emerging as well as established scholars in the field, from Europe, North America and Australia, reflecting the global significance of this growing fieldFrom the birth of the museum to the explosion of mass-produced illustrated books, the Romantic period (c. 1770-1840) was a moment of rapid change and fruitful experimentation in the fields of art and literature alike. New advances in print production encouraged a wider range of readers to engage with literary forms that opened a path into the once aristocratic field of the visual arts. This Companion captures the way recent engagements with visual studies have reshaped how we approach and understand the boundaries between print and visual culture in the period. It brings together 27 research-led chapters that offer a detailed account of the productive, if sometimes tense, interactions between emergent forms of intermedial expression that were redefining culture in the Romantic period -- as they continue to do today.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art and literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts, Modern</subfield><subfield code="y">18th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Romanticism in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Romanticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Avery-Quash, Susanna, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield 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