Alison Light – Inside History : : From Popular Fiction to Life-Writing / / Alison Light.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English
• VerfasserIn: Light, Alison,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2021
• Year of Publication: 2022
• Language: English
• Series: The Feminist Library: Essays in Cultural Criticism
• Physical Description: 1 online resource (244 p.)

A collection of thought-provoking essays spanning thirty-five years of Alison Light’s workProvides a historicising collection of essays, by a major critic, exemplifying and opening up feminist cultural politics to new readersOffers a way into a variety of texts and genres – including popular fiction, drama, film - as well as single authors, united by a lively and readable feminist approachExtends current thinking on national identity and Englishness from a writer who helped open these fieldsSpeaks to the new and growing academic interest in ‘life-writing’Includes shorter pieces which also encapsulate complex arguments as well as examples of original life-writing by the authorIncludes an autobiographical introduction which contextualises and historicises the author’s work and reflects on itAlison Light – Inside History addresses a number of the central preoccupations within feminist cultural criticism over this period: the nature of writing by women and what women writers might or might not share; the place of such writing in any literary history or cultural analysis; the politics of popular culture and the question of pleasure; women’s relation to ideas of national identity and other forms of belonging; and finally, their contribution to life-writing in its different genres. The volume offers a lively, wide-ranging way into feminist debates, touching on a number of major authors from Alice Walker to Virginia Woolf, on genre fiction, and on the writing of memoir and biography. Chronologically arranged, the essays and short ‘think-pieces’ chart Alison Light’s own intellectual formation as a critic and writer within a wider collective politics. This is explored and contextualised in an autobiographical introduction.

Table of Contents

Frontmatter -- Contents -- Series Editors’ Preface -- Acknowledgements -- Introduction: Reading Oneself Backwards -- PART I FROM FICTION TO NATION -- 1 ‘Returning to Manderley’: Romance Fiction, Female Sexuality and Class -- 2 Fear of the Happy Ending: The Color Purple, Reading and Racism -- 3 Young Bess: Historical Novels and Growing Up -- 4 Outside History? Stevie Smith, Women Poets and the National Voice -- PART II SHORT CUTS -- 5 The Vampire and the Dog: Caryl Churchill’s Mad Forest -- 6 Women Writers and Conservative Sensibilities -- 7 Against Empathy -- 8 The Mighty Mongrel: on Biography -- 9 Hitchcock’s Rebecca: A Woman’s Film? -- 10 Re-reading Great Expectations -- 11 The Figure of the Servant -- 12 Experiments in Memoir-writing -- PART III WRITING LIVES -- 13 A Woolf in Dog’s Clothing: Flush -- 14 Fascism, Fear and Feminism: Virginia Woolf ’s Three Guineas -- 15 Addicted to Diaries: The Romantic Journals of Jean Lucey Pratt -- 16 Writing the Lives of ‘Common People’: Reflections on the Idea of Obscurity -- Index