British Cinema and a Divided Nation / / John White.
Offers contemporary context of Britain as a deeply divided society as reflected in filmAnalyses Britain’s contested understandings of its past, present and futureExamines the various ways recent mainstream films have approached the concept of nationhoodExplores the ways in which the contest of ideol...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (264 p.) :; 22 B/W illustrations |
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White, John, author. aut http://id.loc.gov/vocabulary/relators/aut British Cinema and a Divided Nation / John White. Edinburgh : Edinburgh University Press, [2022] ©2022 1 online resource (264 p.) : 22 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Figures -- CHAPTER 1. Introduction: Popular Culture and a Shared National Perspective -- Part I. Reinterpreting Pre-twentieth- century British History -- CHAPTER 2. What Chance Sisterhood under Patriarchy? Mary Queen of Scots ( Josie Rourke, 2018) -- CHAPTER 3. What Would it Be to “Turn the World Upside Down”? Fanny Lye Deliver’d (Thomas Clay, 2019) -- CHAPTER 4. Politics in “The Corridors of Power” Then (and Now): The Favourite (Yorgos Lanthimos, 2018) -- CHAPTER 5. Class as the Crucial Division in UK Society: Peterloo (Mike Leigh, 2018) -- Part II. Rehearsing Twentieth-century British History -- CHAPTER 6. One-nation Conservatism 1920s/2020s: Downton Abbey (Michael Engler, 2019) -- CHAPTER 7. Defending this “Island Nation”: Darkest Hour ( Joe Wright, 2017) and Churchill (Jonathan Teplitzky, 2017) -- CHAPTER 8. Identity Politics: Where Hands Touch (Amma Asante, 2018) and A United Kingdom (Asante, 2016) -- CHAPTER 9. Colonialism and the Reshaping of History: Viceroy’s House (Gurinder Chadha, 2017) -- Part III. Re-presenting Britain in the Twenty-first Century -- CHAPTER 10. Educated Elites and Plebeians: The Sense of an Ending (Ritesh Batra, 2017) and Daphne (Peter Mackie Burns, 2017) -- CHAPTER 11. Migration in an Age of Ideological Confrontation: God’s Own Country (Francis Lee, 2017) -- CHAPTER 12. Rural Poverty: Dark River (Clio Barnard, 2017) and The Levelling (Hope Dickson Leach, 2016) -- CHAPTER 13. Urban Poverty: Sorry We Missed You (Ken Loach, 2019) -- CHAPTER 14. Conclusion: Liberal Consensus Politics, Economics, and Class -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Offers contemporary context of Britain as a deeply divided society as reflected in filmAnalyses Britain’s contested understandings of its past, present and futureExamines the various ways recent mainstream films have approached the concept of nationhoodExplores the ways in which the contest of ideologies always at work within media representations has played out post-2016Focuses on historical and contemporary drama films, with each chapter offering detailed readings of either an individual film, or a pair of filmsBritish Cinema and a Divided Nation examines representations of the nation found within contemporary British cinema, against a backdrop of rising political tensions and deepening social divisions following the ‘Brexit’ referendum of June 2016. Exploring ways in which the contest of ideologies within media representations has played out post-2016, the book identifies divisions within society that have been given narrative shape and cultural form within recent British films. With case studies of major films such as Mary Queen of Scots, Peterloo, Darkest Hour, Sorry We Missed You and Downton Abbey, this book questions whether we are seeing the negotiation of a new relationship with the wider world, or simply a re-iteration of a long-standing British, or English, understanding of national identity. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Motion pictures Great Britain History 21st century. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 9783110753790 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English 9783110754032 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English 9783110754001 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 9783110753776 ZDB-23-DGG Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 9783110780390 https://doi.org/10.1515/9781474481045 https://www.degruyter.com/isbn/9781474481045 Cover https://www.degruyter.com/document/cover/isbn/9781474481045/original |
language |
English |
format |
eBook |
author |
White, John, White, John, |
spellingShingle |
White, John, White, John, British Cinema and a Divided Nation / Frontmatter -- Contents -- Figures -- CHAPTER 1. Introduction: Popular Culture and a Shared National Perspective -- Part I. Reinterpreting Pre-twentieth- century British History -- CHAPTER 2. What Chance Sisterhood under Patriarchy? Mary Queen of Scots ( Josie Rourke, 2018) -- CHAPTER 3. What Would it Be to “Turn the World Upside Down”? Fanny Lye Deliver’d (Thomas Clay, 2019) -- CHAPTER 4. Politics in “The Corridors of Power” Then (and Now): The Favourite (Yorgos Lanthimos, 2018) -- CHAPTER 5. Class as the Crucial Division in UK Society: Peterloo (Mike Leigh, 2018) -- Part II. Rehearsing Twentieth-century British History -- CHAPTER 6. One-nation Conservatism 1920s/2020s: Downton Abbey (Michael Engler, 2019) -- CHAPTER 7. Defending this “Island Nation”: Darkest Hour ( Joe Wright, 2017) and Churchill (Jonathan Teplitzky, 2017) -- CHAPTER 8. Identity Politics: Where Hands Touch (Amma Asante, 2018) and A United Kingdom (Asante, 2016) -- CHAPTER 9. Colonialism and the Reshaping of History: Viceroy’s House (Gurinder Chadha, 2017) -- Part III. Re-presenting Britain in the Twenty-first Century -- CHAPTER 10. Educated Elites and Plebeians: The Sense of an Ending (Ritesh Batra, 2017) and Daphne (Peter Mackie Burns, 2017) -- CHAPTER 11. Migration in an Age of Ideological Confrontation: God’s Own Country (Francis Lee, 2017) -- CHAPTER 12. Rural Poverty: Dark River (Clio Barnard, 2017) and The Levelling (Hope Dickson Leach, 2016) -- CHAPTER 13. Urban Poverty: Sorry We Missed You (Ken Loach, 2019) -- CHAPTER 14. Conclusion: Liberal Consensus Politics, Economics, and Class -- Bibliography -- Index |
author_facet |
White, John, White, John, |
author_variant |
j w jw j w jw |
author_role |
VerfasserIn VerfasserIn |
author_sort |
White, John, |
title |
British Cinema and a Divided Nation / |
title_full |
British Cinema and a Divided Nation / John White. |
title_fullStr |
British Cinema and a Divided Nation / John White. |
title_full_unstemmed |
British Cinema and a Divided Nation / John White. |
title_auth |
British Cinema and a Divided Nation / |
title_alt |
Frontmatter -- Contents -- Figures -- CHAPTER 1. Introduction: Popular Culture and a Shared National Perspective -- Part I. Reinterpreting Pre-twentieth- century British History -- CHAPTER 2. What Chance Sisterhood under Patriarchy? Mary Queen of Scots ( Josie Rourke, 2018) -- CHAPTER 3. What Would it Be to “Turn the World Upside Down”? Fanny Lye Deliver’d (Thomas Clay, 2019) -- CHAPTER 4. Politics in “The Corridors of Power” Then (and Now): The Favourite (Yorgos Lanthimos, 2018) -- CHAPTER 5. Class as the Crucial Division in UK Society: Peterloo (Mike Leigh, 2018) -- Part II. Rehearsing Twentieth-century British History -- CHAPTER 6. One-nation Conservatism 1920s/2020s: Downton Abbey (Michael Engler, 2019) -- CHAPTER 7. Defending this “Island Nation”: Darkest Hour ( Joe Wright, 2017) and Churchill (Jonathan Teplitzky, 2017) -- CHAPTER 8. Identity Politics: Where Hands Touch (Amma Asante, 2018) and A United Kingdom (Asante, 2016) -- CHAPTER 9. Colonialism and the Reshaping of History: Viceroy’s House (Gurinder Chadha, 2017) -- Part III. Re-presenting Britain in the Twenty-first Century -- CHAPTER 10. Educated Elites and Plebeians: The Sense of an Ending (Ritesh Batra, 2017) and Daphne (Peter Mackie Burns, 2017) -- CHAPTER 11. Migration in an Age of Ideological Confrontation: God’s Own Country (Francis Lee, 2017) -- CHAPTER 12. Rural Poverty: Dark River (Clio Barnard, 2017) and The Levelling (Hope Dickson Leach, 2016) -- CHAPTER 13. Urban Poverty: Sorry We Missed You (Ken Loach, 2019) -- CHAPTER 14. Conclusion: Liberal Consensus Politics, Economics, and Class -- Bibliography -- Index |
title_new |
British Cinema and a Divided Nation / |
title_sort |
british cinema and a divided nation / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (264 p.) : 22 B/W illustrations |
contents |
Frontmatter -- Contents -- Figures -- CHAPTER 1. Introduction: Popular Culture and a Shared National Perspective -- Part I. Reinterpreting Pre-twentieth- century British History -- CHAPTER 2. What Chance Sisterhood under Patriarchy? Mary Queen of Scots ( Josie Rourke, 2018) -- CHAPTER 3. What Would it Be to “Turn the World Upside Down”? Fanny Lye Deliver’d (Thomas Clay, 2019) -- CHAPTER 4. Politics in “The Corridors of Power” Then (and Now): The Favourite (Yorgos Lanthimos, 2018) -- CHAPTER 5. Class as the Crucial Division in UK Society: Peterloo (Mike Leigh, 2018) -- Part II. Rehearsing Twentieth-century British History -- CHAPTER 6. One-nation Conservatism 1920s/2020s: Downton Abbey (Michael Engler, 2019) -- CHAPTER 7. Defending this “Island Nation”: Darkest Hour ( Joe Wright, 2017) and Churchill (Jonathan Teplitzky, 2017) -- CHAPTER 8. Identity Politics: Where Hands Touch (Amma Asante, 2018) and A United Kingdom (Asante, 2016) -- CHAPTER 9. Colonialism and the Reshaping of History: Viceroy’s House (Gurinder Chadha, 2017) -- Part III. Re-presenting Britain in the Twenty-first Century -- CHAPTER 10. Educated Elites and Plebeians: The Sense of an Ending (Ritesh Batra, 2017) and Daphne (Peter Mackie Burns, 2017) -- CHAPTER 11. Migration in an Age of Ideological Confrontation: God’s Own Country (Francis Lee, 2017) -- CHAPTER 12. Rural Poverty: Dark River (Clio Barnard, 2017) and The Levelling (Hope Dickson Leach, 2016) -- CHAPTER 13. Urban Poverty: Sorry We Missed You (Ken Loach, 2019) -- CHAPTER 14. Conclusion: Liberal Consensus Politics, Economics, and Class -- Bibliography -- Index |
isbn |
9781474481045 9783110753790 9783110754032 9783110754001 9783110753776 9783110780390 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 G7 W44 42022EB |
geographic_facet |
Great Britain |
era_facet |
21st century. |
url |
https://doi.org/10.1515/9781474481045 https://www.degruyter.com/isbn/9781474481045 https://www.degruyter.com/document/cover/isbn/9781474481045/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/65 |
dewey-sort |
3791.43 265 |
dewey-raw |
791.43/65 |
dewey-search |
791.43/65 |
doi_str_mv |
10.1515/9781474481045 |
oclc_num |
1312725739 |
work_keys_str_mv |
AT whitejohn britishcinemaandadividednation |
status_str |
n |
ids_txt_mv |
(DE-B1597)618285 (OCoLC)1312725739 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 |
is_hierarchy_title |
British Cinema and a Divided Nation / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 |
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1770176954664747008 |
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