Counter-Memories in Iranian Cinema / / ed. by Matthias Wittmann, Ute Holl.
Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2021 |
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Counter-Memories in Iranian Cinema / ed. by Matthias Wittmann, Ute Holl. Edinburgh : Edinburgh University Press, [2022] ©2021 1 online resource (272 p.) : 30 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- List of Figures -- Acknowledgments -- Notes on Contributors -- Introduction -- PART I AN ARCHAEOLOGY OF POSSIBLE FUTURES -- 1. The Incomplete: Film, Politics, and Remembering the Past -- 2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory -- 3. Counter-Investigations: On Matchboxes, Black Boxes, and other Forgotten Futures -- PART II MATERIAL MATTERS: MEMORY, ACCESSIBILITY, TRANSLATION -- 4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema -- 5. Black Seals: Missive from Iran’s National Music -- 6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami’s Koker Trilogy -- PART III INTERSTICES. NICHES. IMPURE MEMORIES -- 7. Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses -- 8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami’s Shirin (2008) -- 9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar’s Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas -- PART IV TRANSGENERATIONAL GAPS AND TRANSMISSIONS -- 10. Filmfarsi as Counter-Memory -- 11. A Shadow for Invisible Films: A Way to Break the Monopoly of Image Production in Iran -- 12. ‘At the End of a Century’ (1996) -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside state-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFarīd ad-Dīn-e ʿAṭṭār’s Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them ‘counter-memories’; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Memory in motion pictures. Motion pictures Iran History 20th century. Motion pictures Iran History 21st century. Motion pictures-Iran-History-20th century. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Alloa, Emmanuel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Atwood, Blake, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beyzaie, Bahram, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Holl, Ute, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Holl, Ute, editor. edt http://id.loc.gov/vocabulary/relators/edt Langford, Michelle, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Makaremi, Chowra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mokri, Shahram, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mottahedeh, Negar, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Najd Ahmadi, Tara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Partovi, Pedram, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Saljoughi, Sara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ullmann, Viktor, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wittmann, Matthias, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wittmann, Matthias, editor. edt http://id.loc.gov/vocabulary/relators/edt Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 9783110753790 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English 9783110754032 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English 9783110754001 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 9783110753776 ZDB-23-DGG Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2021 9783110780406 https://doi.org/10.1515/9781474479776 https://www.degruyter.com/isbn/9781474479776 Cover https://www.degruyter.com/document/cover/isbn/9781474479776/original |
language |
English |
format |
eBook |
author2 |
Alloa, Emmanuel, Alloa, Emmanuel, Atwood, Blake, Atwood, Blake, Beyzaie, Bahram, Beyzaie, Bahram, Holl, Ute, Holl, Ute, Holl, Ute, Holl, Ute, Langford, Michelle, Langford, Michelle, Makaremi, Chowra, Makaremi, Chowra, Mokri, Shahram, Mokri, Shahram, Mottahedeh, Negar, Mottahedeh, Negar, Najd Ahmadi, Tara, Najd Ahmadi, Tara, Partovi, Pedram, Partovi, Pedram, Saljoughi, Sara, Saljoughi, Sara, Ullmann, Viktor, Ullmann, Viktor, Wittmann, Matthias, Wittmann, Matthias, Wittmann, Matthias, Wittmann, Matthias, |
author_facet |
Alloa, Emmanuel, Alloa, Emmanuel, Atwood, Blake, Atwood, Blake, Beyzaie, Bahram, Beyzaie, Bahram, Holl, Ute, Holl, Ute, Holl, Ute, Holl, Ute, Langford, Michelle, Langford, Michelle, Makaremi, Chowra, Makaremi, Chowra, Mokri, Shahram, Mokri, Shahram, Mottahedeh, Negar, Mottahedeh, Negar, Najd Ahmadi, Tara, Najd Ahmadi, Tara, Partovi, Pedram, Partovi, Pedram, Saljoughi, Sara, Saljoughi, Sara, Ullmann, Viktor, Ullmann, Viktor, Wittmann, Matthias, Wittmann, Matthias, Wittmann, Matthias, Wittmann, Matthias, |
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MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn |
author_sort |
Alloa, Emmanuel, |
title |
Counter-Memories in Iranian Cinema / |
spellingShingle |
Counter-Memories in Iranian Cinema / Frontmatter -- CONTENTS -- List of Figures -- Acknowledgments -- Notes on Contributors -- Introduction -- PART I AN ARCHAEOLOGY OF POSSIBLE FUTURES -- 1. The Incomplete: Film, Politics, and Remembering the Past -- 2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory -- 3. Counter-Investigations: On Matchboxes, Black Boxes, and other Forgotten Futures -- PART II MATERIAL MATTERS: MEMORY, ACCESSIBILITY, TRANSLATION -- 4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema -- 5. Black Seals: Missive from Iran’s National Music -- 6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami’s Koker Trilogy -- PART III INTERSTICES. NICHES. IMPURE MEMORIES -- 7. Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses -- 8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami’s Shirin (2008) -- 9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar’s Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas -- PART IV TRANSGENERATIONAL GAPS AND TRANSMISSIONS -- 10. Filmfarsi as Counter-Memory -- 11. A Shadow for Invisible Films: A Way to Break the Monopoly of Image Production in Iran -- 12. ‘At the End of a Century’ (1996) -- Index |
title_full |
Counter-Memories in Iranian Cinema / ed. by Matthias Wittmann, Ute Holl. |
title_fullStr |
Counter-Memories in Iranian Cinema / ed. by Matthias Wittmann, Ute Holl. |
title_full_unstemmed |
Counter-Memories in Iranian Cinema / ed. by Matthias Wittmann, Ute Holl. |
title_auth |
Counter-Memories in Iranian Cinema / |
title_alt |
Frontmatter -- CONTENTS -- List of Figures -- Acknowledgments -- Notes on Contributors -- Introduction -- PART I AN ARCHAEOLOGY OF POSSIBLE FUTURES -- 1. The Incomplete: Film, Politics, and Remembering the Past -- 2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory -- 3. Counter-Investigations: On Matchboxes, Black Boxes, and other Forgotten Futures -- PART II MATERIAL MATTERS: MEMORY, ACCESSIBILITY, TRANSLATION -- 4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema -- 5. Black Seals: Missive from Iran’s National Music -- 6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami’s Koker Trilogy -- PART III INTERSTICES. NICHES. IMPURE MEMORIES -- 7. Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses -- 8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami’s Shirin (2008) -- 9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar’s Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas -- PART IV TRANSGENERATIONAL GAPS AND TRANSMISSIONS -- 10. Filmfarsi as Counter-Memory -- 11. A Shadow for Invisible Films: A Way to Break the Monopoly of Image Production in Iran -- 12. ‘At the End of a Century’ (1996) -- Index |
title_new |
Counter-Memories in Iranian Cinema / |
title_sort |
counter-memories in iranian cinema / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (272 p.) : 30 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- List of Figures -- Acknowledgments -- Notes on Contributors -- Introduction -- PART I AN ARCHAEOLOGY OF POSSIBLE FUTURES -- 1. The Incomplete: Film, Politics, and Remembering the Past -- 2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory -- 3. Counter-Investigations: On Matchboxes, Black Boxes, and other Forgotten Futures -- PART II MATERIAL MATTERS: MEMORY, ACCESSIBILITY, TRANSLATION -- 4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema -- 5. Black Seals: Missive from Iran’s National Music -- 6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami’s Koker Trilogy -- PART III INTERSTICES. NICHES. IMPURE MEMORIES -- 7. Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses -- 8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami’s Shirin (2008) -- 9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar’s Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas -- PART IV TRANSGENERATIONAL GAPS AND TRANSMISSIONS -- 10. Filmfarsi as Counter-Memory -- 11. A Shadow for Invisible Films: A Way to Break the Monopoly of Image Production in Iran -- 12. ‘At the End of a Century’ (1996) -- Index |
isbn |
9781474479776 9783110753790 9783110754032 9783110754001 9783110753776 9783110780406 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 I846 C68 42021 |
geographic_facet |
Iran |
era_facet |
20th century. 21st century. |
url |
https://doi.org/10.1515/9781474479776 https://www.degruyter.com/isbn/9781474479776 https://www.degruyter.com/document/cover/isbn/9781474479776/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430955 |
dewey-sort |
3791.430955 |
dewey-raw |
791.430955 |
dewey-search |
791.430955 |
doi_str_mv |
10.1515/9781474479776 |
oclc_num |
1312726468 |
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status_str |
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ids_txt_mv |
(DE-B1597)618289 (OCoLC)1312726468 |
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Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2021 |
is_hierarchy_title |
Counter-Memories in Iranian Cinema / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 |
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