ReFocus : : The Films of Rakhshan Banietemad / / Maryam Ghorbankarimi.
Offers the first English language book on the films and the career of Iranian director Rakhshan BanietemadDevotes specific attention to Banietemad’s long career in documentary filmmaking, which has been neglected in much of the scholarly works thus farIncludes chapters by some of the most prominent...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2021 |
Year of Publication: | 2022 |
Language: | English |
Series: | ReFocus: The International Directors Series : RFIDS
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Physical Description: | 1 online resource (264 p.) :; 30 B/W illustrations |
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Ghorbankarimi, Maryam, author. aut http://id.loc.gov/vocabulary/relators/aut ReFocus : The Films of Rakhshan Banietemad / Maryam Ghorbankarimi. Edinburgh : Edinburgh University Press, [2022] ©2021 1 online resource (264 p.) : 30 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda ReFocus: The International Directors Series : RFIDS Frontmatter -- Contents -- List of Figures and Tables -- Acknowledgments -- Notes on Contributors -- Note on Transliteration and Style -- Part I Introduction -- An Overview of Banietemad’s Career and Films -- A Conversation with the Director -- Part II Aesthetics, Politics, and Narrative Structure -- 1. From Black Comedies to Social Realism: Rakhshan Banietemad’s Early Feature Films -- 2. Under the Skin of Society: Rakhshan Banietemad’s Social History of Post-revolutionary Iran -- 3. Tales and the Cinematic Divan of Rakhshan Banietemad -- 4. The Artistic and Political Implications of the Meta-cinematic in Rakhshan Banietemad’s Films -- Part III Gender, Love, and Sexuality -- 5. “Modes of Expression not Subject to the Law of Male Desire”: Considering the Role of Voice-over and Enunciation in the Work of Rakhshan Banietemad -- 6. Affective Listening, Sonic Intimacy, and the Power of Quiet Voices in Rakhshan Banietemad’s The May Lady: Towards a Cinema of Empathy -- 7. The Blue-veiled: A Semiological Analysis of a Social Love Story -- 8. Masculinities in Banietemad’s Tales: Reshuffling Gender Dynamics under Socio-economic Pressures -- 9. Representing Sexuality on Screen in Walled Societies: A Comparative Analysis of Iranian Film (The May Lady) and Chinese Film (Army Nurse) -- Part IV Fact, Fiction, and Society -- 10. Rakhshan Banietemad’s Art of Social Realism: Bridging Realism and Fiction -- 11. Embracing All My Trees: An Ecocritical Reading -- 12. Hidden Transcripts of Subordinates and the Art of Resistance in Our Times -- Filmography -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Offers the first English language book on the films and the career of Iranian director Rakhshan BanietemadDevotes specific attention to Banietemad’s long career in documentary filmmaking, which has been neglected in much of the scholarly works thus farIncludes chapters by some of the most prominent scholars of Iranian cinema as well as younger scholars with fresh points of viewSituates Banietemad among world auteurs while still looking at her works within the Iranian contextIncludes an in-depth interview with the directorRakhshan Banietemad is one of the first female film directors in Iran. This book, the first English language study of her films and career, Iranian director Rakhshan Banietemad contains chapters by some of the most prominent scholars of Iranian cinema, as well as younger scholars with fresh points of view. Taking an interdisciplinary perspective, the book devotes special attention to Banietemad’s understudied documentaries and films, including Under the Skin of the City (2000) and Tales (2014), while offering new perspectives on well-known works such as The Blue Veiled (1994) and The May Lady (1997). Focusing on questions of aesthetics and poetics, social realism, gender dynamics and the ‘afterimages’ and ‘counter-memories’ of revolution and war, the book also includes an in depth interview with Banietemad herself. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Banī Iʻtimād, Rakhshān,-1954--Criticism and interpretation. Motion picture producers and directors. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Abdi, Bahar, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bagheri, Asal, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ghorbankarimi, Maryam, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Han, Yunzi, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Holman, Rosa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Khamsy, Nina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Khansalar, Fatemeh-Mehr, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Khosroshahi, Zahra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Langford, Michelle, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nooshin, Laudan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wittmann, Matthias, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zahedi, Farshad, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 9783110753790 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English 9783110754032 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English 9783110754001 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 9783110753776 ZDB-23-DGG Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2021 9783110780406 print 9781474477611 https://doi.org/10.1515/9781474477635 https://www.degruyter.com/isbn/9781474477635 Cover https://www.degruyter.com/document/cover/isbn/9781474477635/original |
language |
English |
format |
eBook |
author |
Ghorbankarimi, Maryam, Ghorbankarimi, Maryam, |
spellingShingle |
Ghorbankarimi, Maryam, Ghorbankarimi, Maryam, ReFocus : The Films of Rakhshan Banietemad / ReFocus: The International Directors Series : RFIDS Frontmatter -- Contents -- List of Figures and Tables -- Acknowledgments -- Notes on Contributors -- Note on Transliteration and Style -- Part I Introduction -- An Overview of Banietemad’s Career and Films -- A Conversation with the Director -- Part II Aesthetics, Politics, and Narrative Structure -- 1. From Black Comedies to Social Realism: Rakhshan Banietemad’s Early Feature Films -- 2. Under the Skin of Society: Rakhshan Banietemad’s Social History of Post-revolutionary Iran -- 3. Tales and the Cinematic Divan of Rakhshan Banietemad -- 4. The Artistic and Political Implications of the Meta-cinematic in Rakhshan Banietemad’s Films -- Part III Gender, Love, and Sexuality -- 5. “Modes of Expression not Subject to the Law of Male Desire”: Considering the Role of Voice-over and Enunciation in the Work of Rakhshan Banietemad -- 6. Affective Listening, Sonic Intimacy, and the Power of Quiet Voices in Rakhshan Banietemad’s The May Lady: Towards a Cinema of Empathy -- 7. The Blue-veiled: A Semiological Analysis of a Social Love Story -- 8. Masculinities in Banietemad’s Tales: Reshuffling Gender Dynamics under Socio-economic Pressures -- 9. Representing Sexuality on Screen in Walled Societies: A Comparative Analysis of Iranian Film (The May Lady) and Chinese Film (Army Nurse) -- Part IV Fact, Fiction, and Society -- 10. Rakhshan Banietemad’s Art of Social Realism: Bridging Realism and Fiction -- 11. Embracing All My Trees: An Ecocritical Reading -- 12. Hidden Transcripts of Subordinates and the Art of Resistance in Our Times -- Filmography -- Bibliography -- Index |
author_facet |
Ghorbankarimi, Maryam, Ghorbankarimi, Maryam, Abdi, Bahar, Abdi, Bahar, Bagheri, Asal, Bagheri, Asal, Ghorbankarimi, Maryam, Ghorbankarimi, Maryam, Han, Yunzi, Han, Yunzi, Holman, Rosa, Holman, Rosa, Khamsy, Nina, Khamsy, Nina, Khansalar, Fatemeh-Mehr, Khansalar, Fatemeh-Mehr, Khosroshahi, Zahra, Khosroshahi, Zahra, Langford, Michelle, Langford, Michelle, Nooshin, Laudan, Nooshin, Laudan, Wittmann, Matthias, Wittmann, Matthias, Zahedi, Farshad, Zahedi, Farshad, |
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Abdi, Bahar, Abdi, Bahar, Bagheri, Asal, Bagheri, Asal, Ghorbankarimi, Maryam, Ghorbankarimi, Maryam, Han, Yunzi, Han, Yunzi, Holman, Rosa, Holman, Rosa, Khamsy, Nina, Khamsy, Nina, Khansalar, Fatemeh-Mehr, Khansalar, Fatemeh-Mehr, Khosroshahi, Zahra, Khosroshahi, Zahra, Langford, Michelle, Langford, Michelle, Nooshin, Laudan, Nooshin, Laudan, Wittmann, Matthias, Wittmann, Matthias, Zahedi, Farshad, Zahedi, Farshad, |
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author_sort |
Ghorbankarimi, Maryam, |
title |
ReFocus : The Films of Rakhshan Banietemad / |
title_sub |
The Films of Rakhshan Banietemad / |
title_full |
ReFocus : The Films of Rakhshan Banietemad / Maryam Ghorbankarimi. |
title_fullStr |
ReFocus : The Films of Rakhshan Banietemad / Maryam Ghorbankarimi. |
title_full_unstemmed |
ReFocus : The Films of Rakhshan Banietemad / Maryam Ghorbankarimi. |
title_auth |
ReFocus : The Films of Rakhshan Banietemad / |
title_alt |
Frontmatter -- Contents -- List of Figures and Tables -- Acknowledgments -- Notes on Contributors -- Note on Transliteration and Style -- Part I Introduction -- An Overview of Banietemad’s Career and Films -- A Conversation with the Director -- Part II Aesthetics, Politics, and Narrative Structure -- 1. From Black Comedies to Social Realism: Rakhshan Banietemad’s Early Feature Films -- 2. Under the Skin of Society: Rakhshan Banietemad’s Social History of Post-revolutionary Iran -- 3. Tales and the Cinematic Divan of Rakhshan Banietemad -- 4. The Artistic and Political Implications of the Meta-cinematic in Rakhshan Banietemad’s Films -- Part III Gender, Love, and Sexuality -- 5. “Modes of Expression not Subject to the Law of Male Desire”: Considering the Role of Voice-over and Enunciation in the Work of Rakhshan Banietemad -- 6. Affective Listening, Sonic Intimacy, and the Power of Quiet Voices in Rakhshan Banietemad’s The May Lady: Towards a Cinema of Empathy -- 7. The Blue-veiled: A Semiological Analysis of a Social Love Story -- 8. Masculinities in Banietemad’s Tales: Reshuffling Gender Dynamics under Socio-economic Pressures -- 9. Representing Sexuality on Screen in Walled Societies: A Comparative Analysis of Iranian Film (The May Lady) and Chinese Film (Army Nurse) -- Part IV Fact, Fiction, and Society -- 10. Rakhshan Banietemad’s Art of Social Realism: Bridging Realism and Fiction -- 11. Embracing All My Trees: An Ecocritical Reading -- 12. Hidden Transcripts of Subordinates and the Art of Resistance in Our Times -- Filmography -- Bibliography -- Index |
title_new |
ReFocus : |
title_sort |
refocus : the films of rakhshan banietemad / |
series |
ReFocus: The International Directors Series : RFIDS |
series2 |
ReFocus: The International Directors Series : RFIDS |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (264 p.) : 30 B/W illustrations |
contents |
Frontmatter -- Contents -- List of Figures and Tables -- Acknowledgments -- Notes on Contributors -- Note on Transliteration and Style -- Part I Introduction -- An Overview of Banietemad’s Career and Films -- A Conversation with the Director -- Part II Aesthetics, Politics, and Narrative Structure -- 1. From Black Comedies to Social Realism: Rakhshan Banietemad’s Early Feature Films -- 2. Under the Skin of Society: Rakhshan Banietemad’s Social History of Post-revolutionary Iran -- 3. Tales and the Cinematic Divan of Rakhshan Banietemad -- 4. The Artistic and Political Implications of the Meta-cinematic in Rakhshan Banietemad’s Films -- Part III Gender, Love, and Sexuality -- 5. “Modes of Expression not Subject to the Law of Male Desire”: Considering the Role of Voice-over and Enunciation in the Work of Rakhshan Banietemad -- 6. Affective Listening, Sonic Intimacy, and the Power of Quiet Voices in Rakhshan Banietemad’s The May Lady: Towards a Cinema of Empathy -- 7. The Blue-veiled: A Semiological Analysis of a Social Love Story -- 8. Masculinities in Banietemad’s Tales: Reshuffling Gender Dynamics under Socio-economic Pressures -- 9. Representing Sexuality on Screen in Walled Societies: A Comparative Analysis of Iranian Film (The May Lady) and Chinese Film (Army Nurse) -- Part IV Fact, Fiction, and Society -- 10. Rakhshan Banietemad’s Art of Social Realism: Bridging Realism and Fiction -- 11. Embracing All My Trees: An Ecocritical Reading -- 12. Hidden Transcripts of Subordinates and the Art of Resistance in Our Times -- Filmography -- Bibliography -- Index |
isbn |
9781474477635 9783110753790 9783110754032 9783110754001 9783110753776 9783110780406 9781474477611 |
url |
https://doi.org/10.1515/9781474477635 https://www.degruyter.com/isbn/9781474477635 https://www.degruyter.com/document/cover/isbn/9781474477635/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430233092 |
dewey-sort |
3791.430233092 |
dewey-raw |
791.430233092 |
dewey-search |
791.430233092 |
doi_str_mv |
10.1515/9781474477635 |
oclc_num |
1312726177 |
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Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2021 |
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ReFocus : The Films of Rakhshan Banietemad / |
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